AISubs v3.4
I'm Atani Mota from Tsubaki Factory!
I'm Anami Tohata!
I'm Akemo Mata!
And I'm Yagi Shiori!
On August 24th, we will be holding a strategy meeting for the summer festival "2023 Shakunetsu" held at Kawaguchi Costella Theater in Yamanashi Prefecture.
We will be introducing the strategy meeting in "happys go".
For this "shakunetsu", we would like to challenge ourselves to make the festival even more powerful!
Ta-dah!
Everyone, are you ready?
In order for everyone's live performance to be more exciting, we will teach you "shakunetsu" Taiko, so thank you in advance!
Let's hit it a little. First of all, please raise your right hand.
I'll drop it. One, two...
I'll drop it.
I'll drop it. One, two...
Then I want to hit it alternately. Please raise your hand.
I'll hit it to the count. Right, left. One, two...
[The sound of the drum is getting louder and louder]
Ready, and...
Alright, okay!
The sound is so strange!
Ready, and...
You look terrible!
Ready, and...
Great!
Thank you very much.
This is the basic way of striking.
Yes.
This is different.
Yes.
And raise it up.
Raise it from the waist and shoulder.
Raise it up from the waist.
Hold it like this and squeeze it a little.
Put aside the other three.
Kiana, put aside your left hand.
Yes.
OK.
If you can do it, raise it up from the waist like this.
Yes.
Great!
Can I bend my left knee a little?
Yes.
Yes, that's right.
OK, do your best.
We'll be back in a moment.
Ready, and...
OK, raise it up.
Ready, set, go!
OK, that's it!
You did it at the end!
Cool!
OK, let's have some tea.
I'm sleepy!
Good night.
Earlier, you were striking like this.
Instead of striking from your body,
you should strike from your shoulder blades.
Yes, like that.
The left is your neck.
Your neck should go like this.
Basically, you should strike like this.
From here, turn your right hand like this.
Again, like you did with the drum,
you shouldn't cover your shoulder like this.
So, don't move your shoulder like that.
You should strike only from your shoulder blades.
The left hand should strike from your shoulder blades.
It's a little difficult.
If you do it in a row...
Yes, like that.
Imagine that there is a parallel straight line here.
If you strike like this,
you can strike beautifully.
The last one is here.
That's right.
Don't bend your elbow like this.
Bend your shoulder blades like this.
That's right.
Lower your head like this.
That's right.
That's about it.
When you do Ichidai Chidai, your knees reach like this.
Don't move your upper body.
Just use your arms.
Let's do it a little more.
Let's do it.
One, two, three, four.
Next, there are several ways of doing it.
Put your right hand like this.
That's right.
Then, leave your hand and hold it with your thumb and index finger.
Put your wrist first.
Put your index finger first and hold it like this.
Put your wrist first.
Lastly, put your ring finger first and hold it like this.
Until now, when you strike a strike, you strike like this.
When you strike a strike, you strike like this.
Next, put your index finger first and hold it like this.
When you strike a strike, put your ring finger first and hold it like this.
When you strike a strike, put your index finger first and hold it like this.
Hold it like this and turn it inside out.
Turn it inside out and strike like this.
Yes, like that.
First, strike it like this and then strike it like that.
Yes, like that.
It's hard!
Yes, like that.
It's hard!
My face is turning red.
Your face is turning red.
Yes, like that.
Put your left hand here and strike it from under your side.
Then you can strike like this.
When you can do that, you can do the choreography.
The variation is increasing.
The left hand is grasping here.
When you play music, you can see the flashyness and splendor.
I hope you can go that far.
♪ BGM
I'll do my best.
I'm going to crush you.
OK.
I can't move.
I'm sorry.
You can't move, can you?
The second variation is different only when you play "foo".
When you play "foo", you move this way and "taro" moves this way.
I'll do it slowly.
Ready, go!
"foo", up!
"taro", down!
Ready, go!
"foo", up!
"taro", down!
"foo", up!
"taro", down!
"foo", up! "taro", down!
Let's put patterns in our bodies.
Especially if the last chorus is getting excited, it may change a little.
I want to make it more exciting, but for now I'm going back and forth.
That's right. You can practice that in the second half.
Let's run while watching everyone's practice.
This is the basic form for now, and let's start from here.
Let's do our best.
We've finished our first practice.
It was so hard to clap.
We've practiced a lot, haven't we?
I think we're going to practice like this tomorrow.
It's hard to hold a chair and drink a drink.
It was hard to write.
It's hard to write and I feel like I can't use my muscles.
But if it's cool, it'll be nice.
I know. I thought it was really cool, so I want to get used to it and do it well.
We don't have much practice time, but we'll do our best.
I've been doing Wadaiko since I was in first grade in elementary school.
I've been doing it for a long time. I don't know if I was doing it until sixth grade or middle school, but I've been doing it for a long time.
It's been a while since I played Wadaiko and I feel nostalgic.
Wadaiko has a lot of ways of playing it. I don't know if I should say "style", but each teacher has a different way of teaching it, so I had a lot of new discoveries and it was a lot of fun.
I don't know if it's my first time, but it's harder than I thought.
I was worried about my posture and how I played it, and I thought it would be easier.
It was harder than I thought and I thought practice was necessary.
I'll put in more effort and do my best to play it in front of you.
I'll do my best!