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Now, it's started, Nogiten!
Today, we are going to do a project called, Literature Circle.
Literature Circle?
What is it?
I don't know.
As always, this time, Literature Circle.
We will introduce the works with the image cut,
by reading the impressive scenes of the masterpiece literature.
Are you confident?
No, I'm not.
Wait, wait, wait.
I can read, but I'm not confident to be on the screen.
Why?
Why are you not confident?
Let's be confident.
I don't know well.
I agree.
Let's do it while doing it.
Who will be the director?
Who is good?
P.Kawago.
P.Kawago is a symbol of the power of P.
But you are also an otaku in Nogizaka.
Otaku power.
Otaku is like this.
Like this.
Not like this.
Just doing it won't be a power at all.
Then, do it.
Then, I'll be the assistant director.
Assistant director.
Then, Hina will be the director.
Yes.
Then, I'll be the director today.
The director of P.Kawago is the masterpiece of Natsume Soseki, Kokoro.
What kind of video will it be?
Karin said, please make less cuts.
She said that.
I was told to say it clearly.
This half started with a calm mood.
What kind of video will the first cut be?
What is it?
It's cute just to be carried.
Then, please carry me.
You are in charge of the visual.
Yes.
The innkeeper girl will go.
The innkeeper girl?
I don't like the innkeeper girl.
Where should I go?
It seems that she has a vague image, but she is choosing a good background.
So?
It's dark here.
Where do you think is good?
I'm lost.
Where do you think is good?
It's dark here.
It's dark.
It's better to be in the sun.
Can I go in here?
Yes.
Then, I'll go this way.
She will consult with the cameraman and move to the place where the sun shines.
What kind of face?
What kind of face is good?
Are you being invited?
Yes.
I don't know.
What should I do?
You can laugh here.
You are like a person who thinks of things.
I'm like a person who thinks of things.
You are like a person who thinks of things.
Action.
Cut.
Your voice is very cute.
How much is it?
It's cute.
I take a picture of the muffler.
I'm going to change my hair color.
The director has taken a picture of the muffler.
How is the first cut?
I will gradually raise the muffler.
I feel like I'm in a muffler.
Add a setting called waiting for the atmosphere of the scene.
Cut.
Hina is very appropriate.
It's funny.
I felt like I was waiting for someone.
You are very detailed.
You have an image.
It's funny.
I have a record of KAWAGO.
You have a record.
I produce cute costumes for the members at the handshake event.
I have a record.
I want to be photographed in a cute way.
KAWAGO is popular among the members.
The director also appears in the animation.
Inoue, don't turn around.
I look up.
Turn your back.
I can't see it from behind.
The work is heavy.
I don't want to bring it to the end.
I put in a cute costume.
The director of KAWAGO was able to balance the atmosphere of the work with red windmills and paper balloons.
However, she is tight.
I have a record.
I think this scene is about my friend's death with this sword.
I will show you the soul of ASUKA.
Leave it to me.
I have a record.
I don't like the word record.
I have a record.
She is straight with a sword, but she has a strong expression.
What is the expression of ASUKA, the key to this cut?
It was fun. I just looked at the picture I wanted to see.
I did as I liked.
It was fun to shoot cute girls.
I don't think it's better to do this.
It doesn't matter whether it's adopted or not.
It was fun to come up with a lot of ideas and make them together.
It was the first time for us to make something together.
It was fun.
We were in a Japanese-style room.
We were called Clover in the tatami room.
I remember the scene where we rolled our heads and shot.
It was the most memorable scene for me.
It was fun.
I went to the garden in the morning.
It was really fun.
It was new and nice to think about the composition of the scene.
Please see the director's Natsume Soseki, COCOLO.
Natsume Soseki COCOLO
This is a work that represents the later period of Natsume Soseki, along with Kojin.
It was published in Asahi Newspaper again last year, just 100 years after the announcement.
The story of Natsume Soseki
I met the director in Kamakura.
I was still a young student at that time.
I received a letter from my friend who went to the seawater bath with a vacation.
I decided to go out with some money.
I spent two or three days in the seawater bath.
But three days after I arrived in Kamakura,
my friend who called me suddenly received a message from my hometown.
So he finally decided to go home.
I was left alone.
I went to the sea every day.
I passed through the old
and the new.
I was surrounded by the sea.
I found my teacher in the middle of the sea.
I was threatened by Kei while I was meeting my wife.
In other words, my wife stands in the middle of the sea and ties me and Kei together.
I didn't feel any shortcomings in my wife.
I just wanted to keep her away from me.
Then it immediately reflected in the woman's chest.
I don't know why it's reflected.
Sometimes I received questions from my wife,
like, why are you thinking so much?
I can't help it when I'm laughing.
But sometimes I feel like my wife.
In the end, I have to say,
you hate me, right?
You must be hiding something from me.
I suffered every time.
I sometimes apologized to my wife.
It was the morning of the coming day when I came home late.
My wife laughed.
Or she was silent.
Sometimes she shed tears.
Either way, I was uncomfortable and couldn't stand it.
So apologizing to my wife is the same as apologizing to myself.
I stopped drinking.
It's better to say that I quit because I got tired of it rather than because of my wife's advice.
I quit drinking, but I don't feel like doing anything.
I can't help it, so I read books.
But if I read it, I'll just read it and leave it.
I was asked many times by my wife what I was studying for.
I was just laughing at myself.
But deep down, I was sad to think that even the only person I love most in the world doesn't understand me.
I was sadder and sadder to think that I couldn't give her the courage to understand me even though I had a way to make her understand me.
I was a homeless person.
I often felt like I was the only person living in the world.
At the same time, I thought about Kei's death repeatedly.
It may be because her head was controlled by love, but my observation was rather simple and straightforward.
Kei decided that she had died for a break-up.
But as I was getting more and more calm, I realized that it was not easy to solve the same problem.
The conflict between reality and ideals was still insufficient.
I was wondering if Kei had suddenly broken up because she was lonely and had no choice but to be like me.
And then I was shocked again.
I felt that I was following the same path as Kei.
It was because I started to cut my chest like a wind.
It's fun to be controlled.
But I can't answer when I'm controlled.
I'm sorry.
Actually, Karin was saying something like this during the shoot.
This is what it looks like in this scene with Asuka.
Please pay attention to Karin's hand.
I'm curious about Karin's hand.
Why do you walk like this?
What?
I'm curious about Karin's hand.
Don't be a
Don't be a lovey-dovey person.
I'm not sure.
I'm too nervous to go down the stairs.
Why?
I'm curious about Karin's hand.
I'm not sure if I can balance it with this hand.
In this scene, Karin and Asuka are fighting.
What is Ken Ken Pa?
Actually, Asuka didn't know Ken Ken Pa.
So they decided to teach her.
No, no, no.
Sayulee is cuter.
She is a ghost of a umbrella.
Isn't she cute?
She is cute.
I didn't say that.
I'm like a kabuki.
Asuka can do it.
The literature circle continues.
Next, these four.
You're active.
I'm active.
I'm here.
You're active.
I'm here.
I'm not going to say anything.
I'm going to say something.
I'm really into it today.
I'll do my best to make a better work than anyone else.
I've been on the bus all the time.
You look like you're having fun today.
I've always had an image of how everyone would take this scene.
The director of this scene is the famous work of Tatsuo Horii, Tachinu Kazeta.
What kind of video will it be?
Actually, I'm more facing the back than the front.
That's not true.
I'm facing the front.
I wanted to try this kind of thing.
Thank you to everyone who planned it.
It's our first time doing a video of director Marika.
I'm so happy to be in the video.
The camera has its own technology.
Director Marika's first shooting was a year-long wish.
It was a shooting with a background that imagines a white birch at the beginning of the reading.
Kabedon?
No.
Hidon?
I'm stroking the tree.
It's a pretty close-up, but thank you.
I don't need a camera's view.
I want to take a picture of the side.
I thought you were my friend.
I understand.
It's a little sad, but I'll do my best.
Ready, action!
I'm nervous.
I'm about to laugh at what Marika said.
What was it?
Action!
It's hard to say action.
I'm laughing a lot.
I was about to laugh a lot.
The first thing she focused on was her facial expression.
Don't laugh at first.
What should I do?
You can smile.
I don't know.
I'll smile.
I see.
By making her expression pale, she expressed the atmosphere of the work.
To keep the image she drew alive, she made a request.
You asked her to quit the twin-chamber.
Yes.
When I was doing my makeup, I was worried about my hairstyle.
I was thinking about making it a twin-chamber.
I was thinking about making it a low-pitched twin- chamber.
But I was told to quit the twin-chamber.
Why?
Because I'm a normal Hime.
When I shoot a beautiful work,
I want to show the gap between my twin-tail and cuteness.
I think my fans will be surprised.
I want to show my mature side.
Today, I'm not in the idol mode.
I'm in the actress mode.
I'm Nakamoto Hime.
I'm the actress Nakamoto Hime.
I heard you were wearing a dress.
So I brought a ribbon.
No.
Even if I brought a ribbon, I would eat it.
I'm sorry.
I don't have a ribbon.
I have no ribbon today.
I don't have a ribbon.
You're still the same.
I'm not wearing a ribbon today.
Yay!
The director, Marika, even shows her mental state.
I'll take a slow one.
I think this is good.
A little.
I'll take the slow one.
This one?
She expresses the feeling of her heart through the swaying of light.
And Shinichi is in charge of this swaying of light.
He was another key person who played a big role in this shooting as the director's right arm.
I'm drawing a picture of you.
It's the first part, so I'll draw a picture of you.
I'll draw a sketchbook.
I want it.
I'll put it there first.
Even if you just have it, the atmosphere will be different.
Shinichi gives the idea of the cut to support Marika.
In the scene where the director appears, he is in charge of directing.
It's a little bit of a rough one.
It's a wind.
I'm blowing this way rather than this way.
So I'm going to blow from this side.
What was your image?
It says that the wind blew a little, so I wanted to express that world view with Marika's hair.
I'll have you blow the wind.
Can I use this?
Look.
It's hot.
I'm standing by there and blowing the wind.
Shinichi's idea is to express the world view of the wind by blowing it.
There's something here, so I'll put it on the form.
I got it.
It's hard.
This is surprisingly difficult, but what is Nakamoto's effort?
I'm the assistant director.
What is it?
Assistant director.
I'm happy to be able to give my opinion on whether I've gotten used to seeing the members.
As a director.
I hope it's a good work.
Director Marika gets strong support.
She's a unique director who's not losing to Shinichi.
Himeka is playing with Ochiba.
I'll play with Ochiba.
To shoot Mr. Nakamoto playing with Ochiba, they came to the bridge.
Can you swing it?
They came up with a bold idea of swinging Ochiba.
They immediately consult with the staff about the method.
The staff will gather Ochiba together to make this performance.
The person in charge of this cut is Shinichi, the assistant director.
And the rehearsal.
Ready.
Yes.
It's raining.
Cut.
The director didn't expect the cut to be as he imagined.
Amazing.
It seems like they're satisfied with the result.
It's a very big work.
The position of Ochiba is important.
Thank you.
The director is worried about the difficulty of preparation and asks for a quick OK.
The nervous performance.
What will the result be?
Ready.
Yes.
Cut.
OK.
Good job.
Mr. Ochiba.
Shinichi, a quick OK.
The scene he had a hard time shooting will be released later.
The director has taken various cuts.
What's in the script?
This is for the composition of the editing with Mai.
This is a note.
I talked to Mai about what kind of composition to make.
So let me do it.
Let me edit it.
So.
Good morning.
Today, I came to edit the video, not the image.
I asked the staff to edit it.
I invited director Marika and director Shinichi to see the actual editing.
She suddenly put her face in my hand.
I want to add the part where I took the sparkling scene.
This scene?
Yes.
I added the sparkling scene before I raised my face.
What is sparkling?
After adding the sparkling scene for about a second,
I put my eyes on the camera.
I wanted to make it look like a breath or something that was suppressed from the other side of the work.
What is your aim?
I want to make it meaningful.
I don't want to make it simple.
I want to add something different.
It took about 6 hours to work on it.
Are you okay with the result?
I'm okay.
I put my heart into it.
It's done.
I wanted to make it look mysterious.
I read the reading.
We thought about the picture that goes well with it.
It was a good fit.
I wanted to make it look mysterious.
I thought about the feeling of my heart with Mai.
I want you to pay attention to that.
Please watch the film that Marika and Shin-uchi made from shooting to editing.
It's a novel from the experience of a writer who saw his wife's illness at a sanatorium in Yatsugatake.
It's also famous as a work that gave a
cover to the film directed by Hayo Miyazaki.
Hayo Miyazaki wrote it himself in the
Then, in the evening, you came to me after finishing your work.
After that, we were looking at the horizon,
which was covered by a thick cloud of reddish clouds
that were far away, with our hands on each other's shoulders.
It was as if something was being born on the other side of the horizon
as if something was being born on the other side of the horizon.
That afternoon, it was almost autumn.
We were standing on the edge of the white birch tree,
lying on the shadow of your drawing, chewing on the fruits.
The clouds were like sand, flowing smoothly through the sky.
At that moment, a wind suddenly blew from nowhere.
On top of our heads, the light blue color that was peeking through the leaves
was growing and shrinking.
At the same time, we heard something falling down in the grass.
It was the sound of the picture we had left there
falling down with the artist.
You were about to stand up,
but I was trying to hold you back
as if I were about to lose everything in that moment,
and I was not letting you go.
You were just doing what I told you to do.
The wind stopped.
And then, it was time to go.
Suddenly, the wind blew and came out.
I was holding your shoulder, which I had been holding,
and I was repeating it in my mouth.
Then, you finally let me go and stood up.
The canvas, which had not yet dried well,
had been covered with grass leaves.
I put it back on the artist again,
and with a palette knife, I tried to remove the grass leaves.
If my father had found this place,
you would have turned to me and said,
I don't know what to do.
I would have said,
I turned to you and gave you a vague smile.
One afternoon,
my father was out of the hospital,
and Setsuko was alone in the hospital room.
and long-sleeved shirt.
She looked very happy that day,
and she was wearing a blue blouse
with a tight-fitting
When I saw her like that,
I tried to pull her out of the garden.
The wind was blowing a little,
but it was soft enough to make me feel good.
She laughed a little unconfidently,
but she finally agreed with me.
Then she put her hand on my shoulder
and stepped on the grass with her feet
and went out on the grass.
After that, we kept silent for a while.
I thought that if I could stop my life
that smelled like flowers
for a while,
the gentle wind would be pushed out
from the pond across the pond
like a breathless man,
and I reached the shrubbery in front of the pond,
and I lifted up the leaf slightly,
and then I passed by there
leaving only us completely.
Suddenly, she put her face
in her hand on my shoulder.
I noticed that her heart was beating
so fast.
Are you tired?
I asked her gently.
No, she answered in a low voice,
but I felt that her gentle weight
was getting on my shoulder more and more.
I felt that she was getting on my shoulder more and more.
I was so weak that I felt sorry for you.
She whispered so.
I felt that way rather than heard.
She suddenly said,
and then she suddenly raised her face
to make me to lean on her shoulder,
and then she gradually took her hand off my shoulder.
Why did I become so weak
recently?
I didn't think anything
when I was sick,
but I whispered in a low voice
as if I was talking to myself.
The silence was so strong
that I didn't notice it.
Then she suddenly raised her face
and looked at me.
I whispered again
in a low voice as if I was talking to myself.
I suddenly wanted to go.
I was so weak.
Then she whispered in a low voice
that I couldn't hear.
Thanks to you.
I'm in charge of carrying the megaphone.
I'm a director, a teacher,
a newbie, and a carrier.
I'm happy to do it.
Actually, she was fighting
with the back of her hand
to make her lose to Shunji.
You are cute.
I feel different.
I often see the cameraman doing this.
Like this.
It's a little different.
This way?
Do you often do it?
I do.
I can do this to that,
but I can't do it to this.
Nakamoto of the golf circle
practices swing.
I stretch my back.
It hurts.
It's okay.
I don't do that.
Where was the hand?
It's okay.
Thank you for your hard work.
Mugiten Golf Circle.
She changed her clothes and made her course debut.
Finally, she practices the final stage.
Can she make use of her practice experience?
Oh my god.
She has 3 hits. Will she clear it?
Yeah.
And amazing new members.