AISubs v3.7
HKT48!
Watanabe street, first street.
FM Madoka.
Madoka's.
Madoka's Madoka.
Good evening, HKT48.
Watanabe street, first street.
FM Madoka.
Madoka's Madoka.
HKT48's Moriassu Madoka.
The show begins with Madoka's Madoka's Madoka's first appearance.
In this corner, I, Moriassu Madoka,
will talk about what I talked about on Instagram and Twitter, and what I felt in everyday life.
Then, this will be the 121st time.
Today's topic is this.
Okayama Prefecture!
Yeah!
There aren't many people in the booth today.
Well, I'm lonely.
I'm lonely with the applause for this "ganari".
But okayama...
Thank you very much.
I think I'll talk about Okayama for a moment.
Even if I say okayama, I just thought of it on New Year's Day and went there with determination.
I went to okayama, or rather kurashiki.
kurashiki.
It's a famous and popular place after having a lot of tourist attractions.
I've always wanted to go there, but I had some time, so I decided to go there.
I went to OUTLET.
There is a place called MITSUI OUTLET PARK KURASHIKI.
Did I say "tosu" in OUTLET?
I've only been to Kisarazu.
It was my first time going to a classic OUTLET.
It was very easy to go around and the shops were full of food.
I'm glad I went there.
There is a shopping mall just before OUTLET.
You can shop and enjoy OUTLET.
I think it's good for families.
I want to go to Bikan area while I'm alive.
I'll go to classic OUTLET again.
That's it for "madoka no madoka no madoka no shasou kara" corner.
madomado madomado madomado
I'll make you mad again today.
f.m. madoka
yay!
Good evening.
I'm Morias Madoka who released my album yesterday.
This week's "f.m. madoka" is...
f.m. madoka no hitori shaberi de
f.m. mado special month
first solo piano album
watashi no naka no watashi
release special
yay!
Thank you very much.
I'm going to send you the numbers on the album.
Please look forward to it.
Before that, I'd like to introduce you to the messages you've sent me.
First of all, Watanabe-san's name is "Madora Mizutani Ukyo-san of Yokohama".
"Madoka-chan, congratulations on the release of "watashi no naka no watashi"."
Thank you very much.
In the interview, I was told that it would be nice if my juniors could see me and think about how I work hard like this.
When I read this, various scenes came to my mind.
On November 26, 2015, Ozaki announced her solo piano album and was surprised by it.
She was injured and couldn't stand on stage and was in pain.
She was surrounded by her friends and was told "I love you".
She was telling her feelings properly at her birthday party.
She was enjoying introducing songs in the showroom.
I'm sure my juniors also know about it.
Juniors who admire Madoka-chan.
Juniors who want to be like Madoka-chan.
Juniors who want to stand on stage with Madoka-chan.
I think there are a lot of juniors.
Once again, congratulations on the complete release of "me within me".
I'm really happy that a very warm message has been delivered.
Even though I'm talking like this in an interview,
Even among my fans and HKT's fans,
I don't think I'm a member who gets too involved with my juniors.
That's what I think.
In my case, I don't pay much attention or give advice in person.
Of course, if you ask me for it, I'll do it.
I don't give advice or get angry.
I haven't done that much in the past.
I'm often told that I don't look like I'm involved with my juniors.
But I think there are a lot of people who admire me like this.
I'd be very happy if you could say that.
Through this album, I heard Moriya-san's album on social media.
I'm glad you like this song.
And after listening to the album,
Some of you have sent me your thoughts on LINE.
Through this album, I feel like I've become more involved with my juniors, so I hope we can get along better and deepen our bonds.
Yes, that's how we're collecting messages from you through Ehomado.
Mail address is hkt48@fmfukuoka.jp
HKT number four and eight @fmfukuoka.jp
Mail address is 810-857-ehomado.jp
Even though we don't accept messages we receive every week, if you have one, it will be very useful.
Please check the show page again.
And when you write it on Twitter, please #ehomado.
The abbreviation continues with the hash symbol and is the alphabet "f".
Please tweet with the hashtag #ehomado.
Thank you for your cooperation, especially those in the live broadcast area.
Mado-do-do-do-do-do-do Mado-do-do-do-do-do-do Madoka's Madoka's Madoka-ran!
HKT48 Watanabe Street 1-chome, FM Madoka, Madoka's Madoka, Moriase Madoka is your host.
So we will be hosting this segment of our show today.
FIRST SOLO PIANO ALBUM "WATASHI NO NAKA NO WATASHI" RELEASE SPECIAL, PART 1!
Yesterday, January 29th, I, Morias Madoka, will be presenting my first solo piano album "Me Within Myself"
First of all, I would like to introduce what kind of album this album is.
I don't want to do it alone, so let me introduce you!
Good evening, I'm the director.
I'm Mango-san!
Nice to meet you.
Finally!
Yes. It was released. It was a long time, wasn't it? It was a long time.
No, really. Thank you for your hard work.
Well, it was originally in the email I just sent you, but about four years ago, the manager told me that he would release a solo piano album.
That's right.
To be honest with you, what kind of album did you expect it to be at that time?
Well, in my imagination, I thought it would be an album centered on classical piano. I imagined that I would practice classical famous songs and piano songs.
I also expected it to be a fairly legitimate album.
Oh, that's what you expected.
Well, it's been a while since then, and this time I was able to make an album like this, but what actually started to move was...
In short, the teaser came out, didn't it?
Yes.
It came out, but do you think it was about that time?
Well, that's right. It's been about that time.
Oh, so it's about that time.
Fall, autumn or winter.
Oh, that's about it. So it actually started to move.
Yes.
So what did you start with at first? Did you start with a meeting like "let's get together and do it like this"? Or did you actually start with the sound recording?
In the case of "fall", we first filmed the music video, and then Matsutoya-san expanded the image that came in from the blind spot and said "I'm thinking of making an album like this in the future" at a meeting with everyone, and then the recording started.
Oh, you started with a video.
That's right. That was the first thing.
Oh, that's unusual. So you started with a video.
Well, I took my own sound for the time being, but it was a full-fledged recording after I took the video.
Oh, that was the order.
Yes.
No, I just thought it was a very unusual shape.
Then you started moving in that way, didn't you?
Yes.
I think you actually went to Tokyo and Fukuoka for production quite often.
Yes.
I'm a little curious about how you secured your practice time in the end.
Well, we met in a band like this every week.
Yes.
Well, there was also a handshake meeting that we did quite often.
How did you take your practice time and stuff like that?
I don't have an acoustic piano at home, so I reserved a lesson room myself and played for two hours, three hours, or one day.
Then I went to Tokyo and recorded. It was like that again and again.
So you actually made it like that.
Yes.
Was it like making one song when you went there once?
Well, during that practice period, I talked with my manager like, "Well, I think I can do it if it's like this."
And then, well, at that time, if I had just two songs in my hands, I'd say, "Well, let's split it up into two days and record two songs this time."
There were times like that.
But it was usually one song at a time.
It's like going to Tokyo, recording one song, and coming back.
That's right. Basically.
So you took it like one shot?
No, it depends on the song.
Oh, so you didn't just take it in one shot. You took it in parts and stuff like that.
That's right. There are songs I took in parts and stuff like that. But I took it in parts and stuff like that and took it in parts and stuff like that and I didn't know why.
I didn't know the studio atmosphere either.
So in the end, I decided to play it through once and it was used in the end.
What song is that specifically?
It's "No Dignity" by Ito-san. It was stuck in the studio for a whole day.
So I decided to play it through once and it was used in the end.
So in the end, it was used in the end. But sometimes you use different parts.
Yes. For Toriyama-san's "Beyond the Line",
there's an additional part. So we used only the middle part. It was different for everyone.
So you worked with five different producers.
I don't think there's a style where there's a producer when you're working.
How about you? It felt pretty fresh.
I guess you could say that.
Right?
It was different from idol activities. It was exciting and fresh.
I felt like I was making something from scratch.
One of the processes is composing.
The first introduction of this album is composed by Moriya-san.
How did you make the song?
When and how did you make the song? Do you remember anything?
First of all, I was asked to write a poem.
So I sent the poem to Matsutoya-san and it was approved.
But when we were recording Honma-san's song, we were like, "Why don't we add background music?"
I was like, "Even if you say it's a song..."
Matsutoya-san was pretty reckless.
But at that time, Mr. Homma was also at the scene, so I got a lot of advice and learned how to write music scores, and did it little by little.
Oh, I see. You're specialized in playing, so you've never done anything like writing, have you?
Yes, it was my first time.
It was pretty hard.
It was hard, but on the contrary, rather than saying, "Yes, please make a song," with nothing in it,
there was a theme that didn't get in the way of this kind of spirit, so I think it was certainly easier to do.
Well, with that kind of first thing in mind, you've been making this album for a long time.
How did you feel when you first listened to the completed album?
I listened to it in perfect order.
It wasn't when I was mastering.
Which line?
I took a sample home and listened to it in my car.
My car.
So, on the contrary, when you listen to it in the studio, you can hear a lot of sound, and you can hear a lot of volume, and you can hear a lot of power.
But it gets smaller, doesn't it? The size.
That's right.
So, on the contrary, I was able to listen to it in the same situation as the fans and general listeners, so I think it was good.
The first impression I got when I first listened to it was that it was amazing in no time.
Maybe it's because I was doing it myself, but I had an image of it being full of volume.
But when I listened to it again, it was like, "Oh, it's already over."
Oh, yes, yes.
Well, in a good way, that's what I thought.
I actually listened to it, and I thought that the image of the word "in an instant" is still there.
When it starts, various types of songs come out at once, but Moriatsu's piano is in the middle of it, so it doesn't shake at all, and I feel like I can see Moriatsu's personality part properly, so it ends in an instant.
Oh, I'm happy. But there's definitely about 40 to 50 minutes in terms of time, isn't there?
But I really didn't get tired of listening to it.
Oh, I'm glad. I'm happy.
Well, Hango-san is really familiar with various music, so I'm really happy when you say that.
Is that so?
It's persuasive.
Thank you very much.
Well, we've been listening to some of the basics of the album now, but I thought I'd ask you more details.
Actually, there are five producers on this album, and four of them were able to comment on this show.
It's super luxurious!
Thank you!
Four of the producers representing Japan have commented on this show.
I'm happy.
It's amazing.
So I'd like you to listen to it now.
First of all, let's hear from Satoshi Takebe.
Please.
I'm Satoshi Takebe.
This time, I participated in Mr. Madoka Moriasu's first solo piano album "Watashi no Naka no Watashi".
As one of the five producers in the lineup, I, Satoshi Takebe, under producer Masatoya Masataka, also worked on two songs.
One song is a classical cover of "Gensou Sokkyo" song.
This is a song that I practiced and failed to play when I was a music college student.
I chose this song because I thought Mr. Moriasu would definitely play it for me.
Just now.
How about playing the piano with an edm-style sound? I'm arranging it like that. And the other song is my draft song, but I wonder what it is, it smells a little like a trap, it's a song with a little emotional melody, and I wrote it because I thought it would be beautiful if Mr. Moriasu played it for me.
And this song became a song called "lotus" with the title of Mr. Moriasu Madoka.
I like both songs myself, but I'm grateful that you played a really beautiful piano at the studio as well. And above all, I am really happy to be able to participate in the album because it is a wonderful work.
I've been playing classical piano since I was a kid, but I turned to rock in the middle of it, so I lost classical piano, so I hope Mr. Moriasu will make my unfulfilled dream come true in the future.
I think the activity as a group is also busy, but I hope that this piano solo album series will continue as a series and continue with the second and third works.
So please listen to the number I, Satoshi Takebe, produced. My draft songwriting work. And Mr. Moriasu gave me the title "lotus".
He's a wonderful person who makes me want to be an adult like him year after year. He's also very friendly when we're recording.
He helps me get things right.
So I worked with him with a lot of trust.
But when we were recording, we were doing "Gensou Sokkyou Kyoku" first.
At that time, it was really hard to play the track and click at the same time.
Well, we were recording in the early stages, so we weren't used to it at first, and it was really hard.
Mr. Takebe, you play the piano yourself, and I'm the one who's in charge of the speed of the song.
He told me to calm down and hold it down because I'm in charge of the speed of the song.
I thought he was strict with the rhythm.
But when we were recording "Lotus", he told me that I could shake it to the tempo I wanted.
I thought, "Oh, it depends on the song."
It was a great reference for me as a performer.
I'm glad I met you as a person.
Next, let's hear from Mr. Ito Shuhei.
Good evening, Mr. Watanabe and Mr. Madoka Moriasu of FMAD. I'm Ito Shuhei.
Well, today is the first solo piano album "Me In Myself" release special.
First of all, about the impression of Mr. Moriasu, the main personality.
Is it the first impression you had when you first met him?
It was a very mysterious impression at first.
I feel like he looked like a quiet person, but as I proceeded with the production, I started to wonder what kind of person he was, and it was mysterious until the end.
In other words, I'm praising you so much that I don't know what you're thinking about.
Now, I, Ito Shufei, made an original song called "no dignity" for the album "watashi no naka no watashi de"
This song is a little different from what other producers think because they are all pianists.
I'm going to try to go with a track maker-like thought.
And as I mentioned earlier, Morias, who has a mysterious impression,
I had a pure image, so I made a hip-hop song that has an opposite street feel.
You really pulled it off very cool.
And in the chorus, I even put your own voice in it.
I hope it will be a number that will liven up the live performance.
As for my announcement, Matsuto Emi's concert "surf and snow vol. 40", which will be held in Naiba from February 2nd, will be held here as a strings leader.
If you come to play, please look forward to it.
Also, on February 5th in a liquid room in Tokyo, there was a band called "show moa", a band I'm very close with.
On February 5th, we will have our first one-man live in the liquid room, and we will also participate in it with strings.
Please check it out.
It's a band called "show moa".
So here's the album "watashi no naka no watashi" from me and my number "nodigity".
Please listen to it.
That's all from Ito Shuhei.
Thank you for your message, Ito Shuhei.
It was mysterious until the very end.
What did you look like?
He said "I'm complimenting you" but is it true?
I'm curious.
Ito-san is the youngest of the five of us.
When we were recording, it was easy for us to feel the tempo.
Ito-san said that "no diggity" is different from the piano he has ever played.
That's right.
It was difficult and interesting at the same time.
What was difficult?
The chorus and the tempo of the song.
I'm not used to it.
You said you wanted to know more about jazz.
Did you listen to it first and think about it later?
Yes, I did.
It's a genre I'm not used to.
It's rare to see a jazz piano.
It's quite the opposite of classical music, but it's different.
But it was a great challenge and fun.
I understand.
Let's continue with Toriumi Yuji-san's comments.
Pefumado Okiki's Watanabe-san, Morias Madoka-san, good evening, I'm Toriumi Yuji.
Your first solo piano album, "Watashi no Naka no Watashi", release special, congratulations!
The first time I met you, Morias-san, was during the entire shooting of this album.
Well, I thought it would be difficult for you to be surrounded by old men and girls,
but your reaction was very calm and I got a calm impression.
As expected of you, you're used to the entertainment world.
Well, since it was such a noble first impression,
for the cover of a classic song, Eric Satie's "Gymnopédie No. 1".
At first, it seemed like you were confused by the melody where silence and warmth coexisted,
but I think it turned out to be a very cool take.
What I actually felt during the recording was my passion for the piano, and my tremendous concentration,
and it was a powerful and manly play style that exceeded my expectations.
Inspired by such a touch, I also composed the original song.
If you have a chance again, let's make a work together!
So here is the new album "Watashi no Naka no Watashi"
Please listen to my original "Beyond the Line" which I, Toriumi Yuji, was in charge of.
That's all for me, Toriumi Yuji.
I just listened to a message from Toriumi Yuji.
Toriumi-san's songs are really...
I know I'm being a little arrogant, but his sense of style is too bright and shiny,
and it's not very fashionable at all.
The first song I listened to was "Gymnopédie",
and it was like a baby crying.
It's like a baby crying.
It's got a sound you're not used to hearing, but it's got an interesting way of using it, and it's very urban and smart, and it doesn't feel bad at all, but it's got a lot of songs that grab your heart.
The song "beyond the line" you just listened to is also a song with a bit of a stoic impression, but I really like it myself.
Ito-san is a cellist and Toriyama-san is a guitarist, so it's not like they're using the piano as their main instrument, and I was very curious about what kind of sound they were bringing to the piano, but I felt that this kind of approach was very explosive in the original.
It's got a really good scientific reaction going on in a good way, and I think so myself.
Also, Takebe-san said it on his radio show, and Toriyama-san said it too, but he said it's a very manly way of playing.
Is that a habit you've had since you were playing in a competition?
When I think about what my weapon is, my fingers move pretty fast, and I have a strong touch called "daken", and I have a sense of rhythm. I think those three things are my strengths.
Well, I guess you could say it's a manly way of playing, and I think it's a pretty dignified way of playing, and I think it's like that from a professional's point of view, and I'm like, "Oh, well, I guess I'll do that kind of thing when I explain it from my own mouth."
That's good, isn't it?
Yes, I found it.
It's a way of playing that can be explained.
That's right.
I'm learning a lot of things.
Lastly, we have four people.
Lastly, let's listen to Akimitsu Honma's comments.
Efumado-kiki's Watanabe-san, Moriyasu Madoka-san, good evening. I'm Akimitsu Honma.
Today, I'd like to talk about my first solo piano album "Watashi no Naka no Watashi" release special.
Well, I, Akimitsu Honma, was in charge of two songs, "Toroi Merai" dub mix version and "Junana End" in "Watashi no Naka no Watashi".
In the first place, I wanted Moriyasu-san to play "Toroi Merai" at the moment when Matsutoya-san told me about it.
In the past, I thought "Toroi Merai" was a famous song when I listened to it in various places.
However, the impression of "Toroi Merai" I heard in Dobolzark Hall in Praha was very strong.
In an instant, that image and Moriyasu-san's image overlapped, so I wanted you to do it.
But it's not fun to just do it normally, so I thought I'd try a dub mix version with a slightly different aggressive arrangement.
Since it's a classical album, I thought it would be perfect if it gave you a sense of discomfort, so I tried to give you a sense of overdoing it.
Moriyasu-san also enjoyed it, so I think the finish is also a very sharp and edgy sound.
As for the original song "Junana End", there is a very beautiful place called "Junana End" at the end of Miyakojima, which I have been to before.
The scenery there is very similar to Moria-san's image, and it is a beautiful scenery.
I made the song hoping that Moria-san would play it for the first and last time when people come from Asia see the scenery for the first time and go home.
At the stage of making the demo tape, Matsutoya-san said, "If you're going to give off that kind of Okinawan feeling anyway, why don't you mix it with an island song?"
So at the beginning of the song, I made a section with an island song.
This is also a very beautiful melody, so please enjoy it.
As for me, this year's "IKIMONO GAKARI" "minasan konni tsua" 2020 "kessei 20周年dayo" "we do" concert tour will be held in Fukuoka Sun Palace on May 9th, so if you like, please come and visit us.
So here's an album "watashi no onaka no watashi" from me and the number I, Homma Akimitsu, was in charge of. Please listen to "juunana endo".
That's all from Homma Akimitsu.
I received comments and "juunana endo" from Homma Akimitsu.
Homma-san's recording is "toroimerai" and "juunana endo" are pretty good.
I didn't feel like I was going to stay in the studio and worry about it, but as for "juunana endo", when Homma-san first prepared the demo tape for me, it was like a reference material for me.
Miyako Island's scenery, sea, and the explanation you mentioned earlier.
The scenery you see first and the scenery you see last, and it's a place like that, and the sunset is beautiful, and you gave me a lot of explanations like that, so there was material, so I was able to practice while having that kind of image, but it was also a song with the most points of attention and advice.
It's just the song of Matsutoya-san and the song of Toriyama-san and the song of Honma-san, and it's a time when everything is overlapping, and I can't practice after digging up each song.
But I also sent a video of me practicing and wanted you to see it, and there were parts where I sent a video while compromising a little, so it wasn't while doing it, but there were parts where I sent it without confidence, so there were many points of attention, but the actual performance ended very smoothly and the recording was over.
As for "troymerai", it was the next song in secret, so it was actually the first song or the second song or something like that, but it was very easy to do and I really liked the song itself, and I thought it would be nice if I could express a little messy or very chaotic feeling instead of pursuing the classic elegance, not just fun.
After thinking like that, I pulled it while having a little dangerous feeling.
The "junana end" you just listened to has a very strong image of Okinawa as a southern island, and when I first heard the first island song section, I was quite confused as I was listening to it.
What?
It's novel, isn't it?
Novel?
Eh, Honma-san, did you sample something?
I was quite surprised by that.
That's right.
It feels like it's coming in from there like this.
It's like you're on a trip to the southern island. There's something about it that makes you feel like you're getting out of it.
It's in the back of the album, isn't it?
That's right.
It's in the back of the album, and you can relax a little while going to various places like that.
There's something like that, and I think it's amazing.
That's right. I think there's a lot of parts where you're giving me a great range of influence.
That's right. That's how I felt when I listened to the album.
It's here, and you can accept it in a different way.
That's right. I'm happy.
That's what I felt.
I'm really happy that you're expressing what you're thinking.
As I thought.
Oh, I'm glad.
Well, this time, we got comments from four producers.
Matsutoya Masataka, who is not in this time, is here.
Matsutoya-san and I had a session.
Well, from the first discussion, too.
How was that area?
I think we've talked about it in quite a few places.
That's right.
I'm really busy, but you came to all of the recording sites.
Oh, you stood up for everything?
That's right.
That's amazing.
That's right.
Well, it's not all of them, but we'll meet up with each other later, and in the end, you'll be able to confirm that it's this take.
You've been coming to my site before, so I'm really grateful and blessed.
It's very... how should I say it... friendly and kind, and you made it very easy for me to work on the site, and I was happy.
Well, you're the general producer.
That's right.
I don't think there's anything more luxurious than this from now on.
I'm really grateful.
No, I think it's really amazing.
Yes, I was happy.
So far, we've been talking about various things with the producer and sending songs mixed together, but it's still going on, so let's wrap it up here for now.
That's right. This time, I sent you "First Solo Piano Album [Watashi no Naka no Watashi] Release Special Part 1".
HKT48! Watanabe Street 1st Street! FM Madoka! Madoka's Madoka!
The email address sent earlier is...
hkt48@fmfukuoka.jp
hkt#48@fmfukuoka.jp
HKT48! Watanabe Street 1st Street! FM Madoka! Madoka's Madoka! Morias Madoka is sending you this!
Today's "fm Madoka" is...
"fm Mado Special Month Part 5 [First Solo Piano Album [My Inside Me] Release Special"!
Earlier, while talking about the basics of the album with the director, I sent you comments from four producers.
Now, I'd like to answer some questions from Watanabe from the "Watashi no Naka no Watashi" album.
First of all, Watanabe-san's name is "Takayama in Kitakyushu"
Then I'll read it.
Yes, please do.
Among the songs offered in this album, is there a song you played and found very enjoyable?
Of course, all of them are wonderful songs, so I don't think you can choose one, but if you could choose one, which song would you like me to play?
Hmm, this is...
At the first meeting, when I was asked "What do you want me to play?" or "Is there a song you want me to challenge?"
I immediately thought of "Tempest" by Beethoven.
In the sense that I was able to realize Beethoven's "Tempest", I think it's really fun when I'm playing "Tempest".
Do you have any memories of "Tempest"?
It's a song that my father likes very much.
I'm playing it while thinking "Hey, it's becoming a reality and I'm so happy".
Next is Ryottan from Watanabe-san.
"Good evening. I'd like to ask you about me in this solo piano album 'watashi no naka no watashi' so please tell me as much as you can answer".
He wrote about six or seven exaggerations. I'll say it roughly now.
Yes.
First of all, what situation do you want me to ask you about?
Yes.
Second, did the producer decide the order of the songs in the album or did Madoka-chan decide it in between?
About how to listen to the album.
Since the concept is decided, do you want me to listen to it in order from the first song or is it okay to listen to it randomly?
When you compose a song, do you get the title and make it from the image or do you make the melody while playing it?
Next is, when you play a high-level song, do you take on challenges little by little and clear it? Do you have any tips or anything like that?
Yes.
While making the album is output work, did you take breaks or do input work in between?
Yes.
Finally, was there a time when you couldn't listen to your favorite music at all?
Oh, I see.
There are quite a lot of questions, but I would like someone to pick up and answer them.
Matsutoya-san came up with the order of the songs in the album.
But in the end, he asked me what I thought about it and I agreed with it.
In the end, it's not mixed together, it's a classic and an original song, and in the beginning there is a classic song and in the end there is an original song.
It's not weird, but I thought my concentration might be interrupted, and on the contrary, I think it's a song that everyone who is familiar with music has heard of.
It's a classic song and a new original song that I've never heard of at all, and I sent it like "I think this is good", not "I think this is good", and it was like "Oh, that's good, let's do that".
There were times when I couldn't listen to my favorite music at all.
Not emotionally, but in terms of time.
Anyway, while listening to the finished demo and listening to the song I'm doing now, it was like that. It was hard.
I see, if you're progressing at the same time, it's not easy to switch between songs.
Wasn't it pretty hard to switch between songs?
Oh, for each song?
It was really hard. There were so many songs that it was hard to switch between emotions and time.
It felt like you were being chased quite a bit while you were making it.
Yes, but I'm grateful that the staff was able to secure practice time for me.
Next question is from White Vessel.
Good evening, Madoka-san. This album has nothing to do with you in person, but do you plan to try playing the guitar in a live performance in the future?
Of course I do!
You do?
But it's hard to play the guitar, isn't it? It's a little different from playing the piano alone.
I mean, you have more things to be aware of, don't you?
That's right.
There are more parts where you use your head, so it's really hard, but I'd like to try it.
I've been listening to this album and I've been thinking about it, but I think it'd be interesting if we could do something together with Morias-san's piano and the members who are good at singing.
While playing?
That's right, while playing. Well, it may be difficult to play, but there are members who are good at singing.
That's true.
That person and one... well, two or three people.
I think it'd be fun to give it a try. How about you?
I'd love to give it a try!
You'd like to do it?
I wonder if I can do it...
I hope you can do it.
I wonder...
Well, actually...
Right now...
I'm also thinking about FM Fukouga.
I can't tell you in detail.
I can't tell you, but...
I hope I can tell you when the time comes.
Please look forward to it!
That's all for "ehemado special month" episode 5!
The first solo piano album "watashi no naka no watashi" release special part 2 has been broadcast!
♪ Thank you for the wonderful radio again today ♪
♪ Hey! FM Madoka! ♪
♪ Yeah! ♪
HKT48 is brought to you by Morias Madoka.
It's time for the ending! It's really early, isn't it? I wanted to answer more questions, but I hope I can answer them again someday.
I'm receiving a message.
Watanabe-san's name is "kuroneko gojira-san".
According to an interview article released the other day by "entame next",
Madoka-san seems to have become interested in composing through the production of the piano album.
So I have a suggestion.
Why don't you make an "ehemado piano jingle"?
Please consider it!
That's what I'm getting messages from you.
That's a good idea, a piano jingle!
That's a good idea!
Hmm, if you say a jingle, now...
There are two or three types of acapella jingles made by Sakamoto-san and Takeda-san.
How many seconds is that?
It's about ten seconds.
I see. I've never been conscious of it because I'm listening casually, but it's true that if you can make a jingle on the piano, you'll get more color, right?
That's right.
I hope you can think about it again.
I'd like you to do me a favor. I'm not saying right now, but in April or something like that, I'd like you to announce a new jingle.
How should I do it? Do you have a piano at home?
I don't have a piano at home, but I guess I'll have to get it from somewhere.
That's right. I can't get it from my house.
Using the iPhone's recording function to record sounds like that.
I don't know what it's going to look like, but I'd be happy if we could make it happen.
Let's do our best for April!
Did you hear that?
By April, we may be able to complete it.
Please look forward to it!
Thank you!
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The email address is hkt48@fmfukuoka.jp.
The number is hkt48@fmfukuoka.jp.
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This has been Morias Madoka, signing off from HKT48 Watanabe Street 1FM Madoka's window.
Bye-bye!
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Please say it!
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