AISubs v3.5
I thought I'd like to take a peek inside that man's head.
He was sleeping. He was sleeping, wasn't he? He was sleeping, but what you're saying about him sleeping is about sleepwalking, isn't it?
Sleeping is not necessarily about sleepwalking.
He was sleeping just now, wasn't he? He was sleeping, wasn't he?
Is this man a scriptwriter?
He was sleeping just now, wasn't he?
The lines he produces are sharp and raw.
I don't think divorce is the worst outcome.
It's the worst outcome.
No, it's not divorce that's the worst outcome.
It's a couple wearing masks, isn't it?
You killed him!
He draws about families of criminals and child abandonment.
It's a sad and difficult theme in a series of dramas.
If you've eaten while crying, you can live.
He has deepened the sadness and resilience of people living in adversity and fascinated everyone in Japan.
Dai's shyness.
He has never refused to appear on TV before, and his face has been shrouded in mystery.
Was it possible for you to know about my appearance?
It would never have been possible for me.
Maybe I wanted to know more about myself.
Yuji Sakamoto, 51 years old.
A scriptwriter representing Japan.
Mr. Sakamoto's scriptwriting ability and world view
are somehow very delicate and yet very courageous.
Everything is everything.
The world is wonderful, isn't it?
That's how it ends up.
Yuji Sakamoto, 23 years old.
I love it!
At a little under 23 years old,
he wrote the script for the drama "Tokyo Love Story".
He was a big fan of the play, but he couldn't love it.
I've always had this feeling that this isn't what I want to write about.
Yuji Sakamoto, 23 years old.
In March, Sakamoto began writing the script for a TV drama.
The struggle began in the shadows of the drama.
I left it.
What? I left it.
I want to go somewhere else.
I really want to go somewhere else.
But I want to go somewhere else.
I think people who say cool things can't see anything.
I don't think I can see anything right now.
That's why I'm saying things like "something" or "I'm writing a script" or "the place of death"
or things like J-pop from a long time ago.
It's embarrassing.
I don't think it's the worst thing.
Is he a scriptwriter? Is he a test writer?
If you say he's a genius or a hard worker, I'd say he's a writer.
He's a patient.
The first day of filming.
I'm sorry for the inconvenience.
He lives with his wife, children and three people,
but on the 365th day,
he comes to this studio and spends a day here.
It's dirty and embarrassing.
Under the condition that the director comes alone,
close-up interviews were allowed.
I don't want to be seen,
but I don't want the viewers to see an old man folding his pants.
Two months ago,
Sakamoto announced that he would stop writing TV dramas.
He said he would change his environment
and write a script for a stage he had never experienced before.
But...
Can I say something unrelated?
I ate Chinese food,
and when I looked at the menu,
I saw that the waiter gave me a glass full of beer.
It was 5,400 yen.
I wanted to drink Chinese beer,
but it was 5,400 yen for one glass.
That's the cheapest one.
I can't drink it.
I'm talking with my head held high.
For the past two months,
Sakamoto has been looking for the seeds of stories.
He's been writing since 2002 or 2003,
so I don't think there are any scenes or lines he hasn't written.
The more I think about it, the more I feel like I've written this before.
I'm worried I haven't hit the mark.
That's the hardest thing for me.
Writing again about something I've written before.
If I hadn't been on TV and gone to a different place,
I think something would have been born.
Finally, Sakamoto went to his computer that day.
Where should I put it?
The script of a play has many restrictions,
such as the number of actors and change of scenes compared to a series of dramas.
First, he started thinking about the character.
I don't decide what kind of person I'm going to be when I start writing.
I think while writing about what kind of person I'm going to be.
It's not just about upbringing and personality.
It's about what kind of behavior that person liked in their family,
and how they've been dating their girlfriend.
Sakamoto carefully draws in relationships that are not reflected in the script.
This is what I usually do in dramas.
It's not about whether a person is bright or dark,
or whether they have a personality or not.
It's about relationships.
I think people are in a relationship with someone.
Especially in a drama, you draw relationships between people.
One week after he started drawing,
the protagonist's portrait began to emerge.
25-year-old Hironobu Chikasugi.
What he does is contrary to his own will.
He can't control his impulses and does what he shouldn't do.
He is confused by things that are not normal and suffers from living.
When Sakamoto creates a story,
there are things that he cherishes.
Don't talk to me!
One of her most famous works, "Mother", is about a mother who gets stuck in childcare and abuses her daughter.
Fukami and I are victims of...
That doesn't matter to you, does it?!
Don't tell me you're going to die!
Even so, in order for her to live, she made the family of the criminal who lives by pointing their fingers at her the protagonist.
You say you want to eat with music,
but I'm sure you already know the answer, don't you?
The two-time musicians who are old and unable to give up on their dreams were also depicted on the quartet.
The world of Mr. Sakamoto
Even if a criminal is said to be down and out, or doesn't have a proper job, or is said to have "that kind of personality",
there is a world of Mr. Sakamoto in which even those people try to wrap themselves up.
I never deny it.
Those people are those people, and it can't be helped.
But I feel like Mr. Sakamoto's script has the power to fix that way of life.
I feel like everyone is cute and lonely somewhere.
There are a lot of words that are very kind and close to the pain and sadness of various people, so I guess they like people who are living hard all their lives.
That's all the lines, isn't it?
To put it very simply, I want to write for those who are majority or minority. That's the biggest thing for me.
I want to write for those who think only a few people think like me.
Oh, I wasn't the only one who thought like that.
There are probably a lot of works for ten energetic people to become one hundred energetic people,
but I'm aiming for at least zero people who are in the minus, about minus three people who are in the minus, or something like that.
Sakamoto was heading out of Tokyo on this day.
- Let me see. - Oh, oh, oh, oh.
- Let me see. - Let me see.
Setting up the stage for a small gas station.
- Is this place old? - Yes, it's been about fifty... fifty-five years now.
He started talking about things he couldn't think of.
I remember when I was a kid.
It was a car workshop, so they made parts for cars.
It smells like that.
- Isn't it a bit of a ridiculous story? - No, but I'm aiming for...
Actually, this time, he's going to use his own family as a motif, which he's never drawn before.
Sakamoto grew up as the eldest son of three brothers, under the care of his parents who run a car maintenance factory.
And yet...
...he has complicated feelings for his older brother, whom he has held onto for many years.
I've always been a kind-hearted older brother.
Even though I knew my brother was chasing me, I went out to play.
When I crossed the road, my brother chased me like "older brother!"
I ran over and "bang!" and my brother flew away.
I still can't forget that scene.
Even if I say "I like you" to my brother, I can't really talk to him.
The memories of a family that has avoided stepping in...
As they faced each other, they tried to open up new horizons.
Sakamoto-san's script's characteristic is that, for a long time, it's more than ten minutes of conversation.
What are you doing?
We're eating fried chicken.
For example, one scene in "Cartet".
Why did you put lemon in fried chicken?
Why? Fried chicken is lemon.
People are different.
What?
People are different.
Just by talking about fried chicken, the four characters' personalities and emotions come up naturally.
It's better to put it on.
First of all, it's less crispy.
It's better to put it on. It's good for your health.
When you eat fried chicken, you put your health aside for now.
It's better to put it on.
You're wrong. What I want to say is...
You don't have to get angry about lemon.
Beppu-kun, do you wash fried chicken?
I don't wash it.
If you put lemon in it, it's adverse.
Adverse?
Can't it go back to normal?
I'm sorry.
How can we convey a person's personality and emotions without using direct expressions?
Even if you write "I like you" on paper, you can't convey "I like you", can you?
Mr. Sakamoto writes daily life thoroughly, such as casual conversations and trivial gestures.
I'm going to write here.
I'm going to fill in the surroundings and write a script.
I don't think it's true that I like her and that I like her a lot.
On my way back from the bus, we had a little chat.
On the bus, we talked about how strong the wind was and how my ex-husband was sleeping and how tired he was.
On my way home, I turned off the TV because I thought I'd watch TV alone.
When I fold up my hair like this, I realize that maybe I like her.
"Napolitan" is dangerous.
Humans are drawn in small piles, so for me, I think it's more exciting to watch people drawn in small gestures on TV than big stories.
That's why Mr. Sakamoto cherishes it.
No matter how busy you are, you stand in the kitchen at five in the morning and make your daughter's bento.
Do you like natto?
What do you like about natto?
In exchange for his wife, he has continued for 12 years without resting for a day.
I made a bento for you. It's not fluffy, but it's a good bento.
Time to return to everyday life creates a story that shakes emotions.
I made a bento for you.
It's been a month since the interview began.
Good morning.
Um, it's not going well at all.
I have no choice but to apologize.
Sakamoto was working on creating a storyboard for the story.
The protagonist, who does what he shouldn't do, runs a small gas station.
The story begins when Ibo and his teacher's brother visit them.
Suddenly, Ibo finds his father's body buried underground in the gas station.
In the scene where Ibo, who has doubts about his death, is too close to prove the reason for his brother's death...
Sakamoto didn't call for help.
There is a turning point in a story.
I want to turn it upside down, but I can't think of it.
Why did his father die?
Sakamoto thought that his younger brother, who couldn't resist his impulse, had killed his father.
However, it is more surprising and interesting for someone who tried to kill his father but didn't actually kill him.
He tries to erase it and rewrite it over and over again.
What makes you think that your father would have killed him if he had killed him?
It's a difficult question.
It starts with finding my father's body.
It could be that he was actually alive.
It could be that someone who has nothing to do with it did it.
It's a lie.
What do you mean when you say that fiction doesn't tell lies?
It's not my story.
It's their story.
I like their stories to look like they are alive more than any other interesting stories.
I want to make my own stories like that.
Sakamoto is often called a "socialist" because of his difficult themes.
However, when he writes a script, he doesn't make a story based on themes and dramatic developments.
While I'm drawing the person I want to draw, I realize that this person was connected to society in this way.
I don't want to draw a person based on society.
While I'm thinking about what this person is thinking about, I connect with society and the world.
When people spread their thoughts, society always waits for them.
Thinking about it for a whole day, Sakamoto wrote that the protagonist Chikasugi killed his father.
I'm back.
Welcome back.
That day, Sakamoto visited Nara's family.
His mother, Kiyomi, showed him a notebook Sakamoto wrote in elementary school.
It's from elementary school.
I liked Docafen.
I wrote a lot of Docafen's protagonist's names.
I'm stupid.
I'm writing lines now.
He said he loved imagining stories and writing them.
It's a unique diary.
The words you two are talking about have become sentences.
He's complimenting celebrities.
Sakamoto wants to push back people who are having a hard time living through scriptwriting.
But the writing style of young days is completely different from now.
I'm glad.
After graduating from high school, Mr. Sakamoto aimed to become a screenwriter while working as a fleeter.
When he was 19 years old, he won the grand prize in the scenario contest applied by the TV station.
He immediately took to the situation and polished his screenwriting skills while working as an assistant at the TV station.
And at the age of 23, he released his big hit film "Tokyo Love Story" to the world.
I'm not sure if I can work with you anymore.
On the day of the broadcast, it was said that the O.L. would disappear from the city, and the highest viewing rate was 32 percent.
Mr. Sakamoto, who became a prominent figure in the TV drama world overnight, received a request to write a love story.
It has become said to be a famous trend in drama.
However, Mr. Sakamoto was the most confused by that voice.
If you do it like this, you'll get it, so you can just take the number itself.
I had a very strong hatred for that kind of thing, so I always had a feeling that what I wanted to write and what I wanted to make wasn't like this.
I really thought a lot about running away.
What do I want to do for this job?
At the age of 27, Mr. Sakamoto left the TV industry.
He challenged the movie director to make a project to gain different experiences.
He wrote a difficult story about love and death, but the rating was severe and it ended in failure.
Then, at the age of 32, he started writing novels at home.
However, despite having continued writing for three years, he could not even complete a story.
To make a living, Mr. Sakamoto returned to the television scene again.
He received remakes of original works and dramas that became hits overseas.
Eight years passed without being able to see what he wanted to write.
The weather came when my daughter was born at the age of thirty-five years old.
My co-worker's wife had a hard time taking care of her daughter alone at work without opening the house.
Raising a child while writing poetry at home was more difficult than I imagined.
Sometimes I shouted at her and sometimes I didn't do anything, but sometimes I asked her not to say anything.
But in the meantime, Mr. Sakamoto realized one thing.
Until my child was born, I thought I was a writer.
So I realized that playing is important, drinking and being stimulated with friends is the way of life of a writer.
I realized that I was living my life.
I realized that I shouldn't give up what I'm chasing in life.
I realized that this is much more important.
And at the age of forty-three, Mr. Sakamoto wrote an original drama based on his childhood experience.
MOTHER
It is a story about a woman teacher who is determined to become a kidnapper in order to save her child and a girl who has been abandoned by her own family.
I'm going to kidnap you.
Mom!
When the fight began, an unexpected voice reached her.
It's a story about a woman who is being abused.
There were a lot of abusive words against her mother.
From among the people who were watching.
But I thought it was different.
Of course, it is natural to deny the fact that her mother abused her.
But you can't easily deny that woman without knowing anything.
After all, I have raised a loud voice because I couldn't stand it anymore while raising a child.
Sometimes I wanted to run away.
Judging only by the results, I couldn't say that she is a terrible woman and a terrible mother and condemn her.
Mr. Sakamoto decided to write the life of his mother, who abandoned her child and became a kidnapper, based on the story of the eighth episode that had been completed.
I'll take care of you for the rest of your life.
Why did his mother, who loved his daughter, end up being abused?
Everyone comes, but not people.
Hey!
Can you come a little later?
Go to bed early.
At times, his mother's desire to be released from raising a child and the reality that cannot be avoided.
It's time for bed, isn't it?
Mom, I feel sick in my stomach.
What?
Thinking about his own days of raising a child, he wrote without thinking.
After the broadcast, he could never cut himself off from others.
"I was saved" and other big responses were received.
Finally, in Mr. Sakamoto, the road was visible.
Even if you don't get that many views and you're told it's serious and dark, you draw carefully about people who are having a hard time living.
I hope there are people who can be saved even if they are alone.
After 16 years of detours, I found it.
The reason for writing a script.
In mid-June, Sakamoto finished his plot and started writing a full-fledged script.
One word at a time, while muttering lines from characters appearing in the story, Sakamoto continues writing.
- What time did you go to bed last night? - I went to bed at nine in the morning, and this is all I wrote in the end.
It's overwhelming.
I don't think writing five hours of sleep is enough for one page like this. It's overwhelming.
He dares to jump into a stage with many restrictions on expression, and tries to create a new style and landscape.
However, he couldn't see that path at all.
- You can't write at all? - I can't write at all.
If I write like this at times like this, it will become a sound color.
I'm bringing out my past from my stock.
After all, it's no good to be called a collection system.
It's like my own niche.
Because the spring is dry and made of mixed water, it's called a collection system.
I really want to make it so that it's not called a collection system.
It's been said a little recently.
It's Ibo.
Oh, um...
It's Birdie, Birdie.
A month has passed like that.
The protagonist, who does things that shouldn't be done, and Ibo's brother, who are too close to do what they want to do.
For a long time, he hasn't opened his heart to his brother, and he's been awkward.
How do you express your deep regret as an older brother?
But the lines don't stand up at all.
I write and see, but the discomfort only increases.
Words do not come alive, alive words do not come out, emotions are not born, but I can not write a line.
If there is something that moves my heart or something that seems to go through society, words should come out, right?
Retreat or ...
A month later, rehearsals for the stage are approaching.
Even cancelling is a headache.
Suddenly, Sakamoto raises the volume of music.
He takes out his hair and draws a line.
He reviews the relationship of the characters from the beginning.
What kind of situation will they meet and what will they talk about?
In that conversation, what does the protagonist think and how will his heart move move the other person?
Countless simulations repeat in his head.
A piece of paper remained.
"This person turned this way," "Turned this way," "Turned back," "Turned this way," "This time it came from this side," and so on.
If you can do that well, the story will be told.
The emotions and feelings of the characters will swell up.
I changed a few scenes and it finally came together.
Somehow...
I think it's starting to show.
It's not quiet even if you eat alone, but it's quiet and quiet even if you eat with three people.
In the bar, the characters began to move.
You said weird things and it became a drama.
Overflowing voices.
The drama will become a good memory someday.
I think life is about supporting a good drama.
Sakamoto made a big change in the setting of the characters.
He's a good boy, isn't he?
The main character's older brother's job was changed from a middle school teacher to a novelist.
He chose the same job as himself.
I have to get up before morning.
It took three months for him to write a poem.
Thank you for watching my video again today ~~♥
I feel like I did a good job.
After all, my brother's brother's brother is a brother's story, so my brother's face has been floating for a long time.
My closest brother, who was close to me, is not a good brother, but a sorry brother.
It's not that bad.
I wrote something like "Wow, it wasn't like that."
That's all I have to say about it.
At the end of September, the stage opened.
What do you usually do when you're scared?
At the station stairs...
The protagonist, unable to control his impulse, kills his father due to that impulse.
Isn't gasoline a fear?
I'm scared.
I'm scared, Ogiuchi.
Kill me!
I'm scared!
His brother confesses the truth, but runs away.
Even if you say that...
I'm sorry. I'm sorry.
I'm sorry for disturbing you.
When his brother tries to light a fire with gasoline...
Hey!
Wake up!
Ogiuchi is here!
It's okay now!
Do as Ogiuchi says!
You...
Holding his brother in his arms...
The novelist's brother chooses to face the pain together.
You...
Do you want to bet something?
If you do...
From now on, everything you can think of...
Write it all down in your notebook.
If you do something you shouldn't do...
When you're about to cause trouble for someone...
Write it down...
And put it all in there...
Put it all in there...
And make it like a novel.
I've always been like that.
You can do it, too!
The lines...
The feelings for his brother...
They overflowed.
Yes.
I'll write.
I'll write!
Hey!
What's wrong with your mind?!
Do you think humans can lose to their minds?!
If you write something you can write in a two-hour theater like this...
Well, it's full of things you don't know and things you can't see...
I feel like I'm in a big ocean.
It's really scary.
But I'm happy with this feeling.
Let's go eat something.
To you who are having a hard time breathing...
What kind of story will Sakamoto bring us in the future?
Talents and things like that don't really come into play...
And something that sparkles doesn't really come into play...
What's really important in times like that is...
The self-consciousness that comes out of the person's daily life...
If you don't properly interact with the world, you won't be born...
So...
I don't think you're born just by going there...
Or just by drinking...
I'll be waiting for you on Wenteo Gonchu's app.