AISubs v3.5
This week's movie segment is...
The seven leading roles appear live in the studio!
Don't tell me... you're...
A masterpiece engraved deeply in Japanese movie history is born!
"Human Mystery of Temptation", "Anger"
We'll talk about this film's multi-episode shooting, which is composed of three stories!
And the latest movie ranking...
Will "Your Name" be able to secure first place?
We'll also introduce you to Spielberg's latest work, "Big Friendly Giant"!
Good morning, I'm Ririko!
Today's guests are super gorgeous!
Today's public, "Anger"
Please come in!
Welcome, everyone!
Thank you for coming!
They're still coming!
Thank you for coming so early!
Thank you!
Many people have come to watch "Big Friendly Giant", but...
Ken-san, this is the first time you've come to our studio!
Yes, it's my first time.
Ririko is always in front of me...
In front of you!
Ririko-san says she wants to meet you.
Thank you for coming!
Thank you!
Tsumabuki-san...
Yes?
Don't you get a little worried when you have so many members?
No...
That's true...
But Yua-chan, you're more nervous than expected!
No, it's just that I'm nervous...
I'm nervous, but...
First of all, the "Anger" that today's guests are presenting...
What kind of work is it?
Everyone, please pretend you're watching a VTR.
Well then...
VTR...
Go ahead!
I'm nervous...
One hot summer day...
A couple murder case occurs at 8 PM.
What was left at the scene was the word "anger".
The meaning of anger has not been revealed for a year since the incident.
The criminal has been running away with a straight face.
While people are worried about the earthquake, three unknown men appeared in Chiba, Tokyo, and Okinawa.
A mercenary who works in Chiba Prefecture and his daughter Aiko, who had problems in the past.
Tasshiro, a man with a previous life injury.
I came here while you were away from home for three months.
I want to live with you, Tasshiro.
Do you like Tasshiro that much?
He's a little different from others.
You know that, don't you?
I'm relieved to be with Aiko.
He is a mercenary who tries to forgive Tasshiro and his daughter's love, but he has complicated thoughts somewhere.
Izumi, a high school student who had moved to an island in Okinawa.
When he visited an uninhabited island, a backpacker named Tanaka suddenly appeared.
Are you okay?
How did you come to this island?
Are you alone?
Izumi, who lives freely, begins to be interested in Tanaka, who lives freely.
Eventually, Izumi opens his heart to Tanaka, thinking of him as a good understander.
Fujita, an elite salaryman who works in Tokyo.
One night, he meets a man who doesn't know where he lives.
Where do you live?
I don't want to know.
If you haven't decided where you're going to stay, I'll come over.
They began to live together and deepened their bond of heart.
However, their love turned into suspicion.
I thought you looked like the murderer.
Don't tell me you...
Three men appeared from all over the place.
I'm suspicious of you.
Each of them looked like the murderer.
I called the police!
Is the person he loved the murderer?
And the shocking conclusion is...
The original novel is by Yoshida Shuichi, an Akutagawa novelist.
The father, Youhei, is from Chiba. His name is Ken Watanabe.
His daughter, Aoi Miyazaki, is his wife.
And the man with a bad history, Tasshiro, is Kenichi Matsuyama.
Fujita, who lives in Tokyo, plays Satoshi Tsumabuki.
His girlfriend, Naoto, who doesn't know where she lives, plays Go Ayano.
Izumi, who has moved to Okinawa, plays Suzu Hirose.
And the backpacker, Mirai Moriyama, plays Tanaka, who Izumi encounters.
Director Sanil Ri, who has been working on popular novels such as "Villain" since August of last year,
has been shooting in Tokyo, Chiba, and Okinawa for about two months now.
You can hear their behind-the-scenes stories in the studio!
That was brilliant, Yo-chan!
As the story progresses in Tokyo, Chiba and Okinawa,
all the changes in the story are condensed and human love is transmitted.
It's not just about love and affection,
but about parents and children, friends, and admiration.
We can feel their struggles and rawness.
It's like watching three movies at once.
It's true that we can't see the past of the three characters at all,
and we can tell what each of them is carrying.
What I realized again was how important it is to believe in people.
It was a very in-depth work as a mystery, entertainment, and human drama.
Yo-chan said that each of them was different during filming,
but you didn't get to meet other people on set, did you?
Not at all.
We met for the first time at the launch.
Of course, we all know each other's faces.
We said, "Thank you for your hard work."
How was it?
And we said, "Well..."
Oh, I see.
It was like that.
So you were interested in other places as well?
Of course we were interested in other places,
but we were all in different places,
so we could only meet people from different worlds and different movies at once.
What do you mean?
We all saw the main characters in their own ways,
but when we promoted them and gave them back at once, like at a press conference,
we all felt like we were partners in crime.
I guess there is a feeling of being one of the three movies.
Yes, there is.
I see.
Mr. Tsumaboki, I heard you're going somewhere else.
Yes, I am.
We started filming in Tokyo,
and we felt like we were losing ourselves in our work.
The next shoot was with you and Su-chan.
We went all the way to Okinawa, but I didn't want to go to the second location, so we went all the way to Okinawa.
You didn't go to the shooting location?
No, we didn't.
You didn't go all the way?
No, we didn't.
Mr. Shuji Yoshida was there, and he said we could charter a ship to go to Mujinto.
At about 2 a.m., we said we wouldn't go tomorrow.
I see.
It must be important for you to protect the world of your work.
Director Lee Sang-il is well-known for his commitment and dedication to his work.
How did you feel when you worked with him for the first time?
People often use the word "strict", but Director Lee is not strict, but he has a lot of love for us.
He has a lot of trust in us, and of course we also have a lot of trust in him.
On the other hand, he is always there for us.
When we are worried about something together, he helps us work on it.
I don't think he is strict, but I think he has a lot of love for us.
Does that mean he has a lot of capacity for you?
Yes, I think he is our best ally.
I see.
Director Aino Fukai is trying to get closer to high- level ideals, and everyone seems to have put a lot of effort into making the role this time, but let's introduce it.
First of all, it's about Chiba, but first of all, it's from Kaori Iyazaki, but it's an increase of 7 kg.
How is 7 kg?
But in fact, increasing that weight is not such a big problem.
This time, I got a very difficult role, so even if I was reading the script, I couldn't grasp the character at all.
When the director told me to gain weight, I thought, "If I gain weight and get closer to the role of Aiko- chan, I can only gain weight no matter how much I gain."
Even if I got a hint, I was grateful for it.
It's a little clumsy, isn't it?
I think it's completely different.
But Aiko-chan is a character who feels like the air around her is fluffy.
It may have been a role that could not be grasped unless there was a place to come to.
It was the most difficult role ever.
I see.
But you had to eat a lot, didn't you?
I ate a lot.
I went to a dessert buffet for the first time and ate a lot of rice every day.
It's fun to make a role.
It's a story that was painful for Matsuima-san to see.
I was told to do it instead of Matsuima-san.
Is that so?
Even if we take a lunch break together, the food is completely different.
I was envious of Matsuima-san all the time.
I think it was quite difficult for Aoi-chan.
Matsuima-san, as for making a role, it's a one- person camp.
It's a mysterious role and I want you to create a lonely atmosphere.
When I'm alone, there are children.
I was told to create a situation where I could be alone.
So I thought about it and decided to be alone in a campsite where there is no one at all.
Were you originally not good at being alone?
No, I love being alone.
Did you enjoy it?
I enjoyed it a little.
I thought I shouldn't enjoy it, so I stayed in the tent all the time.
It was dangerous.
And you have a smokelift license.
Whether it's TV or movies, there is a compliance.
No matter what happens at the shooting site, you have to get a license.
But this person has been working with a smokelift every day for more than 20 years.
It was a preparation for this to become commonplace.
It's hard to make a role.
But it's normal.
It's really hard for a director.
But I'm looking forward to it.
Mr. Matsuyama, how did you feel when you saw Mr. Ken's smokelift?
People who have been to fishing villages often ask Mr. Ken, "What time is it today?"
Mr. Ken, who has such an aura, said that if you ride a forklift, you will really become a fisherman.
I don't know where he is, but there was a moment when I didn't know where he was.
But does that mean that's the starting line of making a role, including that attitude?
That's right. The people in the city haven't come to realize it for two or three days.
Now, let's move on to the Okinawa edition.
Ms. Irose is a professional director of love.
The girl I played, Izumi, wasn't thinking about anything or being connected to anyone.
She really lived in various places and came to Okinawa, and that was the start of the story.
Even from the day the director told me that Izumi was the most difficult role, and from the rehearsal, I was knocked down a thousand times.
But it was a very popular role, wasn't it?
That's right. It wasn't like that before.
It wasn't very realistic, but the director and I worked very hard on how to make it realistic.
Did you change your feelings about acting?
Before shooting the Okinawa edition, I was shooting the Tokyo edition, and I thought, "Oh, it's over."
I thought it was amazing, and I couldn't see the start at all, and I didn't know it myself.
But as the shooting continued, I thought, "Oh, this is what it means to act and live as a role."
I thought it was amazing what I had thought of so far.
Next is Mr. Moriyama, but he lives on an uninhabited island.
Yes. Well, as a role setting, I was a backpacker going around Japan, so when I met Su-chan, I was on an uninhabited island.
Well, it's really an uninhabited island, but I can't live on an uninhabited island with permission from my parents like this, so I'd like you to do it.
What is this?
Thank you very much.
Did you live on an uninhabited island where you filmed?
Oh, yes, yes.
- Over there? - Yes.
Well, there used to be a village, but it's gone now, and the ruins are still there, and the goats they used to buy have become wild, and the sandy beaches are covered in dust.
Each set is built up, but the foundation is the ruins that used to be there.
So there was a strong smell of living things, and at first it was really scary.
In the second half, all the staff couldn't stay overnight, including Su-chan.
They came in the morning and went home in the evening.
So I was in a very regular time.
After everyone went home, I hung up the fan.
I'm reading the original, but it's exactly what I imagined.
And Mr. Muriyama was also exactly what I imagined.
It's hard, isn't it?
No, it's not like that.
Now let's move on to "Tokyo".
Mr. Tsubuchi and Ms. Ayano.
Yes, same-sex life.
Same-sex life...
You're a weird guy.
Let's talk about this.
How can I say this?
When we first met on the set, it was still a minority setting.
But when I thought about what I should do to get as close to the truth as possible,
I thought it was more like spending a moment, eating and drinking together,
listening to the other person's voice and saying "I'm home, welcome home"
At that time, I thought it couldn't be helped even if I was rejected,
but I was talking about "shall we live together from now on?"
Oh, I thought so, too!
And we looked for a hotel right away and lived together until the shoot was over.
So you didn't live in a mansion, but in a hotel?
Yes, I wish we could rent a mansion, a weekly or a monthly,
but it was too expensive and we couldn't get it, so we decided to live in a hotel.
Even though it was for the role-playing,
you were in a room with an old man and a man in their 30s.
Did you feel that situation as a lover from the beginning?
We were facing the same direction and facing the role,
so I didn't think about how to spend the space we were in together.
Shall we live together from now on?
We lived like lovers who could say that.
By the way, was it a twin bed?
Yes, it was!
Did you sleep together?
No, we didn't sleep together, but we always said "good night" and turned off the lights.
Wow!
But it's a very happy place where you can hope for the same feelings and roles.
Sometimes, she's a little...
She's probably always serious.
She's always half-hearted.
She's reading the script.
She's like, "I'm reading the script!"
She gets into the bath and goes in.
Hey, hey!
Don't get too excited about it!
What if...
She's conscious of it.
Yeah, she's conscious of it.
But during the shoot...
I knew everything about her schedule.
The next day, I might not be there.
So I was like, "What do I do?"
We went out for dinner and came back to the hotel.
Can you go to the convenience store?
Is there anything you want?
"I'm fine," I said.
And I just left.
It changed so suddenly.
Yeah, yeah.
The next day, she said she wouldn't be there.
I thought she wouldn't be there.
But she said she'd go to the convenience store.
Is there anything you want?
What do you want me to do?
I thought she'd come back.
So I took a shower first.
But she didn't seem like she'd come back.
I went to bed first.
And the next morning, I woke up.
There was only one bed left.
It was a clean bed.
I was really sad about that bed.
I know.
Well, we're running out of time.
Unfortunately, it's about time for us to say goodbye.
Kensuke Watanabe, please send us a message.
Well...
When I listen to each of you,
some of you might think, "Is this really a one- shot movie?"
But it's definitely a one-shot movie.
Well...
It has a lot of mystery in it.
But it's a movie full of love.
As you said earlier,
I think it's a movie full of pure love.
That's why it's hard to believe in something.
And it's hard to keep believing in something.
I think it's a movie that makes you feel a little warm at the end of it.
I'm sure you'll like it.
I hope you'll watch it.
Thank you.
Today's movie is "Anger".
Thank you for watching.