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Now, it's started! Nogi store!
Yeah!
Today's project is "Culture Circle"!
"Culture Circle"?
What is it?
Don't you know?
What is it?
Continuing from last time, "Culture Circle" again!
We will record the impressive scenes of masterpiece literature,
and introduce works along with image cuts!
Are you confident?
No, I'm not!
Wait, wait, wait!
You are confident, right?
I can read, but I'm not sure about photographing.
Why?
I'm not confident!
Let's have confidence!
Confidence...
Let's have confidence!
I don't know well, so...
Yeah, I don't know well, either.
Let's do it while doing it!
Yeah, let's do it!
Then, who will be the director?
Who?
Cargo "P"!
Cargo "P" is...
It's just a demonstration of "P"'s power, isn't it?
But you are aSinging Omaha guy, so you sense "Otaku" 's power.
"Otaku" 's power is like...
like "guhohohohohohohohohohohohohoohohohohoohoohoh ohoohoohoohoohoohoohoohoohoohoohoohoohoohoo"
W-w-what are you doing?
It's not "guhohohohohohohohohohohohohohohoehohohohohoohoo hoohoohoohoohoohoohoohoohoo hoo noodles"
Just doing it won't give you the strength of "Otaku"'.
Then...
Do you want me to do it?
Then, please be the assistant director!
Well...
Then, Hina-chan, as a director, please do it.
Then, I'll be the director for today!
Ms. Kawago will direct Natsume Soseki's masterpiece "Kokoro".
What kind of video will it be?
Karin said "cut as little as you can", and it seems like she's not confident in her visuals.
Even if you say it, I...
This episode started in a peaceful mood.
What kind of picture will they take in the first cut?
Well, I don't know.
It's cute just to have a picture on it.
Well, let's go.
Ha ha ha!
You're in charge of the visual.
Oh, there's a fisherman's girl.
What's a fisherman's girl?
I don't like a fisherman's girl.
Ha ha ha!
Director Kawago seems to have a vague image, but he has chosen a good background. So...
It's pretty dark in here. Where do you think we should go? Ha ha ha! I'm just kidding.
Where do you think we should go?
Oh, it's dark in here.
It's dark, isn't it?
Can we go in here?
Then we'll go in here.
They discussed with the cameraman and decided to move to a sunny place.
What kind of face should we make?
Are we being invited?
What are we doing?
I don't know.
I don't know what we should do.
Can we laugh here?
Yeah, like...
Are you okay?
Yeah, like...
Are you okay?
Yeah, like...
Ready, action!
Cut!
Her voice alone is perfect.
How was it?
It's cute.
It's cute, isn't it?
I'm getting closer to her.
The way her scarf is curled up.
It's a little...
My hair is all over the place.
Director Kawago.
After shooting one cut, she looks a little better.
Thank you, director.
How do you feel about your first cut?
I'm going to raise it up little by little from now on.
It's like...
I'm wearing a scarf and it's like...
I'm waiting for someone in the cold.
In addition to the monogamous atmosphere,
she adds a setting called "meeting"
and draws out more facial expressions.
Cut!
It's funny because Hina is giving me quite appropriate instructions.
It's funny.
It's like...
I'm wearing a scarf and I'm waiting for someone in the cold.
That's what she told me.
It's a very detailed instruction.
Thank you.
It's like...
She has an image in her head.
It's funny.
Director Kawago...
She really has achievements.
She produces cute costumes for members at handshakes.
She has great achievements.
I believe she can make me look cute like this.
Director Kawago is also well-liked by members.
Her performance also appears in "Kodougu".
Director Kawago is also well-liked by members.
Inoue-san, don't turn it!
It's like I'm looking up.
- But your back... - But my back...
I don't know if it's facing back or not, so if I can show it to the camera...
It's like a wind chime... No, it's not a wind chime.
Maybe it's better if you can see it.
The work is heavy, so I don't really want to take it there.
So I'm trying to include cute things like this.
Director Kawago dared to use red windmills and paper balloons to create a heavy atmosphere.
However, he does his best to make it feel like a work of art.
It's a self-made thread.
With this sword, my friend...
It's not really a sword, but it's a scene where I'm thinking about my friend's death.
It's Asuka-san's "actress soul".
Leave it to me.
Self-made...
Even though it's a straight sword, it's a powerful expression.
What is Asuka's key expression acting?
It was fun. I was just looking at the picture I wanted to see, so I did it as I liked it.
It was fun to take cute pictures of cute girls.
It doesn't matter if it's adopted or not, it was fun to come up with a lot of ideas and make it together.
It was the first time we all gave instructions and made things together, so it was fun.
The four of us in a tatami room called each other "clover".
The scene where we put our heads together and lay down was the most memorable for me and it was fun.
We went to the garden in the morning and it was a lot of fun.
I thought it was new and nice to think about various compositions ourselves.
Please watch Director Kawabo's "Natsume Souseki - Kokoro".
"Natsume Souseki - Kokoro".
It is a work that represents the high season of "Natsume Souseki - Kokoro".
It was re-published in "Asahi Newspaper" and became a hot topic last year, just 100 years after its announcement.
I first met my teacher in Kamakura.
At that time, I was still a young woman.
I received a letter from a friend who went to the seawater bath using a leave of absence,
so I decided to go out for some money.
I spent a few days waiting for the money.
However, three days before I arrived in Kamakura,
a friend who called me suddenly received a telegram from his hometown.
So he finally decided to go home.
I came all the way, but I was left behind.
I went to the sea every day.
As I passed through the old, rusted leaves and hurriedly got off,
I realized how many urban people lived in this area.
The men and women who came with me were moving on the sand.
At one time, there was a black-headed mess like a battle in the sea.
Among them, I, who doesn't know anyone, was wrapped up in such a lively scenery,
lying down on the sand,
putting my knees on the waves and swinging my lower back.
I really found my teacher in the middle of this mess.
While I was meeting my wife and my face,
I was suddenly threatened by Kei.
In other words, my wife stood in the middle of it,
tying me and Kei together everywhere and preventing us from talking.
I, who don't feel a lack of anything in my wife, just wanted to keep her away from me at this point.
Then, I can see it in my wife's heart right away.
I can see it, but I don't know why.
Sometimes, my wife asked me, "Why do you think like that?" or "Is there something you don't like about me?"
When I make her do it, I can't let her do it, but sometimes my wife's intuition also comes into play.
In the end, I don't have to ask her, "You hate me, don't you?" or "There must be something you're hiding from me."
I suffered every time.
Sometimes, I apologized to my wife.
It was often the morning of my late return.
My wife laughed or kept silent.
Sometimes, I would drop tears.
Either way, I was unhappy and couldn't stand it.
So, apologizing to my wife means apologizing to myself.
In the end, I stopped drinking.
Rather than listening to my wife's advice, it would be more appropriate for me to say that I stopped drinking because I became a housewife myself.
I stopped drinking, but I don't feel like doing anything.
I can't help it, so I read books.
However, as I read more and more, I will say it out loud.
Sometimes, my wife asked me what I studied for.
I just laughed at her.
But deep in my heart, I was sad when I thought that not even one person I loved the most in the world understood me.
I was sadder and sadder when I thought that there was a way to make me understand, but I couldn't have the courage to make me understand.
I was blinded. I often felt like I was the only one living anywhere and anywhere in the world.
At the same time, I thought about Kay's cause over and over again.
It may be because her head was dominated by love for a moment, but my observation was rather simple and straightforward.
Kay decided to die for a breakup right away.
However, as I gradually calmed down and faced the same phenomenon, it seemed that it could not be solved so easily.
The conflict between reality and ideals was still not enough.
Before I died, I suspected that Kay might not have died suddenly because she was lonely and had no choice but to stand alone like me.
That's why I was agitated again.
The premonition that I was following the same path as Kay started to cut my chest sideways like a wind from time to time.
It's fun to be supported.
When I'm supported, I can't answer and I'm like, "Ah!"
I can't say anything.
Actually, this is what Karin was saying during the shoot.
In this scene where Asuka-san and Asuka-san are shown together, they look like this.
Please pay attention to Karin-san's hands!
One of Karin-chan's hands is cut off.
Karin-chan, why do you walk like that when you walk?
Karin!
Karin's hands are cut off.
Karin!
Don't do that!
She's cute.
Don't do it!
I'm too nervous to go down the stairs.
Why?!
I don't know how to go down.
Can you balance it with this?
I can't balance it.
In this scene where Karin-san and Asuka-san are playing kenkenpa...
What is kenkenpa?
Actually, Asuka-san didn't know kenkenpa, so they decided to teach her.
No, no, no!
Sayuri's is cuter.
It's like an umbrella ghost.
Isn't it cute?
It's cute!
Didn't you say you were going to school?
Asuka, you can do it!
The cultural circle continues!
The next group is these four!
Wow, sometimes...
Sometimes you're more active.
It's different when you're active.
When you come here, you're a little...
You're calm.
You can do it!
That's right.
It's definitely different!
Isn't it?
It's definitely different!
It's because...
The director doesn't have to say it anymore.
Marika-chan.
Yes!
I'm really excited today.
I'll do my best to make a better work than anyone else's.
I've been saying it on the bus.
It looks fun! It looks fun today!
It's definitely fun!
You said it.
I've always imagined it.
Really?
I'm excited about how it's going to turn out.
Marika-san, who is full of enthusiasm, will direct...
The famous work of Tatsuo Hori, "Kazeta Team"!
What kind of video will it be?
Actually...
Maybe...
The back is more suitable than the front.
That's not true!
No, it's really like...
The front is also suitable!
I wanted to do something like this.
Thank you all for planning this.
I'm really happy to be a part of...
Director Marika's first work of art.
The camera technique is also very good.
Director Marika's first shooting was...
Filming with a background that imaged a white bird that appears at the beginning of the recitation.
Kabe-don?
No.
Ki-don?
Ki-don!
I'm just stroking a tree.
Well...
Yes, it's pretty close, but thank you very much.
Well...
I don't need a camera eye, so I'd like to take a side view as much as possible.
Yes.
I thought you were a friend of mine.
I'm sorry.
I'm sorry, but I'll do my best.
Yes.
Ready...
Action!
It's cold, isn't it?
I'm a little tired, but...
I'm nervous.
I feel like I'm going to laugh at what Marika is saying.
What was it at first?
Action!
It's hard to say "action", so...
Yes.
She's laughing a lot.
I was about to laugh a lot.
Director Marika was particular about facial expressions at first.
But you...
But don't laugh at first.
Okay. What should I say?
What should you say?
I don't know.
What? I don't know.
Facial expressions and...
A camera eye.
Oh, I see.
By daring to make facial expressions blank, she expresses the atmosphere of the work.
In order not to break the image she drew, she made such a request...
Did you have a request from Tomoko Shindou Takara to stop doing twin tails?
Yes, I did.
Well...
When I was doing my makeup...
I had a lot of trouble with my hair style.
I said, "Maybe I should do twin tails like I always do."
She said, "Oh, but wouldn't it be better if you did lower twin tails?"
But I said...
I would never do it!
She told me that.
Why did you say that?
Well...
It's just my usual twin tails, so...
Well...
It's like...
It's beautiful...
When we shoot a movie or something like that, I think it's better to show Hime's cute twin-tail gap than to make fans say, "Wow, she's cute!"
So I'd like to show Hime's mature side.
Today, we're not in idol mode...
Hime... Hime... What do you call it?
Actress mode.
Because I'm an actress, I was told that I should be modest.
I heard you were wearing casual clothes, so I thought I'd bring you a ribbon.
Don't do that.
If you bring me a ribbon, I'll probably take it...
I'm sorry, but...
I don't even have a dress. What should I do? I don't have a ribbon today.
You don't have a ribbon.
A ribbon is the best.
Right?
It's the same as always.
Hey, you can be modest today.
Really?
Wow, you're not like usual at all.
You're not like usual at all.
Yay!
Director Marika's directing can even be described as psychological.
I think this is good.
Um...
Yeah, um...
The slow one you just did...
That's about it?
Yes.
The heartbeats she feels from the work are expressed by the flickering of light.
And Ms. Shinichi was in charge of these light vibrations.
She was another key person who played a major role as the director's right arm in this shooting.
But when I draw a picture of Ms. Shinichi...
Is it Ms. Shinichi's place?
Yes.
I'm drawing a picture of Ms. Shinichi.
I see.
I'm drawing a picture of Ms. Shinichi.
I see.
In the sketchbook, you can find different parts.
I see.
If I can find the parts I need...
I could get a different picture of Ms. Shinichi.
Ms. Shinichi gives the ideas to Ms. Marika for support.
Ms. Shinichi is in charge of direction instead of Ms. Marika.
Ms. Marika, do you feel uneasy?
- The wind is blowing in. - The wind is blowing in.
- Yes, and it's not like this... - It's blowing like this.
- Oh, I see. - So it's blowing in this direction.
I see.
It said that the wind had blown in only a little bit.
I wanted to express that world view with Marika's hair.
I'm going to have the princess blow in the wind.
- I have a small one like this. - Can I use it?
Take a look.
- It's hot. - It's hot.
Princess, stand by over there. I'm going to blow in the wind like this.
Shinuchi's idea is to express the world view brought by the wind by actually blowing it in.
- There's something here, so you can put it in like this. - I got it.
Oh, no.
This task is surprisingly difficult, but how will Nakamoto-san do it?
I'm not sure if I'm getting used to it or not, but I'm happy that I can say what I think about it.
- As a director? - Yes, as a director.
I hope it will be a good work.
Director Marika gets a reassuring support.
As a director, I hope it will be a good work.
Himeka is having fun with Ochiba.
Yeah!
No, I'm having fun with Ochiba.
To shoot Nakamoto-san having fun with Ochiba,
they came under the bridge.
Ah, OK!
Ah, is someone picking me up?
Is someone picking me up?
She came up with a bold idea of making the fallen leaves fall.
She immediately asks the staff for advice.
In order to realize this production, the staff gathers the fallen leaves together.
The person in charge of the fallen leaves, which is the key of this cut, is director Shinichi.
And the rehearsal begins!
Ready, go!
It's snowing!
Cut!
The director didn't expect the cut to turn out as he imagined.
Wow!
It looks like it's coming along nicely.
This is a very big job,
Mai-chun's falling position is important,
Hello!
Nice to meet you,
Cut!
Considering the difficulty of the preparation, the director aims for a one-shot OK.
The nervous production, what will the result be?
I'm ready!
Ready!
Fight!
"Cut!" "OK!"
"Thank you for your hard work!" "Thank you for your hard work!"
The scene was shot perfectly!
We will show you the scene later.
Director Marika has shot various scenes.
And here is the script!
Wow, you wrote it.
I discussed with Mai-chan about the composition of the scene.
This is just a memo.
It's just a memo.
Let me do it.
Let me edit it.
And so...
Huh?
Good morning.
Today, we're not here for images, but for video editing.
Editing?
Yes, we asked the staff to do it.
They told us they wanted to edit it.
Director Marika and Director Shinji invited us to actually edit it.
All of a sudden, she puts her hand on my shoulder and puts her face in my hand.
What do you think about that?
From here...
In front of us...
I don't have anything I like.
I'd like to add a little bit of glitter in this area.
In this scene?
Yes.
Oh, here...
Before I raise my head...
I put in a little bit of glitter.
Glitter?
One second... No?
After I put in about one second...
Futanaka is already looking at the camera.
Futanaka is looking at the camera.
What is the aim of putting in such a little bit like that?
I want to make it meaningful.
I don't want to just put it in, but if I'm going to make it, I'd like to put in something a little strange.
Then she works hard for about six hours.
Are you okay with the picture?
I'm okay. I've packed it in.
Then it's done.
I want to make it look strange.
I want to make it look strange, so I read this recitation and thought about a picture that matched it and took it.
It fits in pretty well and fits in nicely.
I wanted to make it look like something good and make it feel strange.
I thought about it with Maichin and read it, so I want you to pay attention to it.
Then, please take a look at "kazetachinu" that Marika and Shinuchi shot and edited!
"furitatsuo" "kazetachinu"
The novel "kazetachinu" is also famous for being a work that gave "kazetachinu" a footing in the movie directed by Hayao Miyazaki, who was born from the real experience of a writer who saw his wife die in a sanatorium in Yatsugatake.
In those summer days, when you stood in the grassland with the moon on one side and drew with enthusiasm,
I was always lying down in the shade of one of those shoulder straps.
Then in the evening, you came to me after work, and for a while,
we held hands on our shoulders and looked at each other at the horizon,
which was covered in a lukewarm mass of milky clouds with reddish edges in the distance.
As if someone is being born from that horizon that is finally about to die.
That afternoon of that day, it was already near autumn.
We were lying down in the shade of those shoulder straps and chewing fruits,
as the sand-like clouds swept through the sky.
At that moment, suddenly, a wind blew from nowhere.
Above our heads, a light blue that peeked out from between the leaves stretched and shrunk.
At about the same time, in the bushes, we heard something falling down.
It seemed like we had left it there, but it seemed like it had fallen with the painter.
You tried to stand up right away, but I, as if not to lose anyone for a moment, forced you to stay away from me.
You let me do as I pleased.
"The wind won't stop," said the handsome man.
Suddenly, a thought came out of my mouth.
As I put my hand on your shoulder, which I was holding, I repeated it in my mouth.
Then you finally shook me off and stood up.
The canvas, which had not yet dried well, had a leaf of grass stuck to one side of its branch.
I put it back on the painter and, with a palette knife, while making it look like it would be difficult to remove such a leaf of grass,
"Well, if my father ever found this place," you turned to me and made some kind of vague smile.
One afternoon, when I went there, my father had just left and Setsuko was alone in the infirmary.
That day, she seemed to be in a very good mood and always wore a blue blouse, which was rarely seen in North Korea.
When I see such a figure, I can't help but...
I tried to pull her out of the garden.
It was just a little windy, but it was so soft that it felt good.
She laughed a little insecurely, but she finally agreed with me.
Then she put her hand on my shoulder and went out onto the lawn in a daze while stepping on something dangerous from the French door.
Then we kept quiet for a while.
As if that could stop such a flowery life as little as possible.
Sometimes, a gentle wind pushes out from the branch of a tree across the road like a breath that had been suppressed,
reaching up to the bush in front of us, lifting that leaf slightly,
and then leaving only us there completely alike and passing by.
Of course, she covered her face with her own hands, which she had placed on my shoulder.
I noticed that her heart was beating faster than usual.
Are you tired?
I asked her gently.
"No," she replied in a low voice.
I felt more and more of her gentle weight on my shoulder.
Am I so weak that you feel sorry for me?
That's what she whispered to me.
Rather than asking me, I just felt that way.
As she didn't move at all,
she suddenly raised her head so that I could turn her away from me,
and gradually took her hand away from me.
Why do I feel so weak lately?
The other day,
she whispered to me in a low voice,
as if she were saying it herself,
even though she didn't think I was sick at all.
As she suddenly raised her head,
I thought she was staring at me,
but while I was covering it up again,
she said something that made me feel nauseous.
"I...
feel like I want to leave all of a sudden."
Then she said in a low voice that I couldn't hear her.
Thanks to you...
I'm in charge of the megaphone.
I'm completely in charge of it.
What should I do?
I'm a newbie.
What should I do?
I'm in charge of the luggage.
I'm happy about it.
In fact, Nakamoto was working hard behind the scenes to beat Shunji.
But it was quite tangled up.
She is cute.
I feel like I'm wrong.
Do you often work as a cameraman?
Yes, I do.
Like this.
What about the first one?
It's a little different.
Himeta is in it.
Really?
Kuchika?
Yes.
Ken is in it, too.
He might be in it, too.
And you know what?
You can do it like this.
But you can't do it like this.
Because it's a screen.
Nakamoto of the golf club is practicing swing by sewing.
I'm going to stretch it like this.
I'm sorry.
What are you doing?
I'm sorry.
I'm fine.
Where did you go?
Where did you go? Your hand?
I'm fine.
I'm sorry.
Nakamoto, thank you for your hard work.
Mugiten Golf Circle!
Yeah!
She changed into a golf wear and made her course debut!
And finally, practice went to the final stage!
Yeah!
Can they make good use of their practice experience?!
The default number is 3! Can they clear it?!
And an amazing new member joins the team!