AISubs v3.5
(Laughter)
Okay.
After all, curry with cutter is the most painful.
(Laughter)
It's getting a little hard, but...
Hmm...
Curry!
Leave it to me!
(Laughter)
What do you think?
Husky... Husky...
(Laughter)
Husky voice.
It's not good.
(Laughter)
It's not good.
I don't know.
(Laughter)
When I come in, I look like him at the best time.
(Laughter)
Hmm...
Welcome.
It's okay.
It's good.
What is good?
Yes, customer, customer, customer.
Customer, you might like it better.
Ah, excuse me, dancing time is starting.
Excuse me for a moment.
Yes.
Ah, here you are.
Yes.
Yes, okay.
Here you are.
Thank you.
Thank you very much.
Oh, honey.
Oh, yeah.
Honey.
Oh, me too.
Good morning.
Hey!
You've lost your nose!
Good morning.
You've been kissing me for a while now.
Honey.
Good morning.
Honey.
I love you.
Not yet!
Good morning.
This is...
Isomata.
Yes, that's funny.
More than Isomata.
He's a foreigner.
Isomata.
Hey.
That was funny.
You've been kissing me for a while now.
Isomata.
Damn it, I'm hungry.
I don't feel like flying.
Oh, I cut my nails.
Thank you very much.
He's stupid.
Ha ha ha!
You're so funny!
Ha ha ha!
Oh, you!
You're so funny!
Hey, bro!
You're so funny!
Ha ha ha!
Oh, you!
You're so funny!
Hey, bro!
You're so funny!
Hey, bro!
You're so funny!
Ha ha ha!
Oh, you!
You're so funny!
Oh, you!
You're so funny!
Oh, you!
Ladies and gentlemen...
It's been a while since I've been home.
Yeah.
And on a typhoon day, I had to go, so I took a plane.
Oh, I see.
Typhoon planes are scary.
Because they shake.
Yeah, they shake. Even if it wasn't a typhoon.
No, but it was shaking all the time.
Oh, I see.
Somehow, I fell down twice.
That was dangerous. Where did you fall from?
From my back.
Oh, I see.
That was dangerous. You fell from your head.
On the contrary, that was good.
That was good.
You fell from your back.
You saw it, didn't you?
The tire went up and fell.
And you fell like this.
That's because you held it up and cut it.
And I couldn't move my arms.
You fell like this again.
Oh, I see.
You hit your head like this.
I hit my head.
Wait, let me think about it.
But you still went like this.
That's scary.
There's no point in going in from the day before, right?
There is.
What are you talking about?
In that typhoon, I desperately... desperately went to Osaka!
- The only reason is... - One more time.
- The only reason is that I can't show my front face. - Okay, I'll catch you.
No, why?
- I'll catch you. - It's okay if you don't catch me.
- There's no reason for it. - You want to be a bad guy.
- Why? - Why are you a bad guy?
- No, no, Osaka has good food, so even if it's only for a day... - You went there at night, didn't you?
- I went there even if it was only for a day and I just wanted to eat delicious food. - Come on.
But you know, I can't sleep in a hotel. I can't sleep in a bed.
- How do you sleep at home? - I sleep in a futon at home.
- Do you pull out a futon? - That's right.
- No, it's not like that! - I can't get up!
- But it's not a bed for me either. - Isn't it?
But you can sleep in a hotel.
I can't get up, I can't, I'm so hungry...
- You know, you hear something. - What?
- In a hotel or in a fridge. - No way!
You can hear "hmm" "hmm" "hmm" "hmm" "hmm" right? What are you worried about?
- "Hmm" "hmm" "hmm" "hmm" "hmm" "hmm" "hmm" "hmm" "hmm" "hmm" - And you don't say it forever.
I don't know if you got it right or not, but you behave one time and you say, "Ah, this is it!"
I got a little calmer and I thought I could do it, but I was worried about the second question.
I'm glad you're strong.
I'm almost sleepless.
You're not sleepy. There must be something you're trying to sing.
Is that so?
The other day in Osaka, I was about to go to bed and my nose suddenly went like this.
It went like this.
This is about you.
It's nothing to do with me.
But when you went to Hong Kong as a kid, you were really sick of it.
At the hotel, you slept and slept and you were like this.
When Jimmy came in...
Well, he was close to home.
What?
You calmed down, didn't you?
What do you mean, I was close to home?
What are you talking about?
There was a Sunday theater.
A Sunday theater in Togoshiba.
It was a pretty small role, but it was decided.
Oh, yeah.
It was for a boy band in the east.
That's cool.
Yeah, yeah, yeah, yeah, yeah.
No, I don't care about the song.
Maybe it's hard to understand only in the east.
I don't know.
Do you understand everything in the east?
It's easier to understand if you say "big melon legend".
That's complicated, too.
It's a legend. It's transmitted.
It's transmitted to everyone. He's the only one who says it.
It's crazy.
And, you know, it's a connection with the east.
Oh, I see.
I rehearsed.
And for the first time, I went there and got involved with the east.
But everyone was staring at me.
I was wondering why.
Who were you looking at?
You.
Right?
And then I got in a taxi by myself.
And my shirt came out.
Like this.
Yeah, yeah, yeah.
That's why everyone was looking at me.
Why?
I thought.
And when I looked at myself in the shirt, I had shit on it.
This can't go on!
It can't go on this year, either!
It's over!
Is that so?
Yes.
You've grown up.
You've grown up, too.
I'm sorry.
Mr. Matsumoto, you have many beautiful stories, but which one is your most beautiful story?
Please tell us about the story of a boy who fell from a building in New York and was rescued.
- Well... - Hey!
I think it's about the right timing.
It's "rescue", you know?
Yes, yes, yes.
Why is your face changed?
It's "rescue".
"Rescue", "rescue"...
What was the situation like?
When I went on a trip to America...
- Yes. - I was walking, too.
- Yes. - Well, I didn't have a destination.
- Just wandering? - Wandering, wandering, wandering...
Where were you walking?
Well...
In front of the station building...
What?!
Station...
That's in front of the station, isn't it?!
- Yes, that's right. - What do you mean "station building"?
- Well, I was walking there... - Where in front of the station?
- No, no, I was walking... - Yes, yes...
"Happen"! "Happen"!
"Happen"!
"Happening"! "Happen"!
That's not good.
I looked up and saw something amazing.
What is it?
What?!
What do you mean "something amazing"?
Well, it's like a child is screaming.
- Is it a window or something like that? - Yes, it's a window or something like that.
- Screaming... - Screaming...
- Oh, my... - Why?
- "Miracle"! "It's a miracle"! - Why "miracle"?!
Nothing's started and nothing's ended! Why "miracle"?!
She said, "Help me! Help me!"
- Yes, yes... - I didn't come to America with that intention.
- Shut up! - Mother...
- I said, "I'm going." - What did you say?
Rescue! Rescue!
- Yes, yes... - When I said "rescue", the child was already...
Power... Power down! Power down!
It's all words!
Game over! Game over!
- Well, whatever. - It's like that.
- Yes, yes... - "Hey, boy! Hey, boy!"
- The other one, too... - "Hey, boy!"
- "Why?!"
- "Well, whatever."
- I said, "Help me!" - "Well, whatever. I love you."
Well, whatever!
Of course it's a movie!
- You're... - A little worse! A little worse!
- What did you say? - Well...
Oh, it's great!
Right?
Oh, cutie!
The idiot saved the idiot.
- Yes... - But it was amazing.
Because it's a three-story building.
Can I fall?!
A three-story building is the scariest.
- "It's not scary!" - Because it's a real height.
You live in a family of two, don't you?
Are you kidding me?!
Hey, where'd you go?! You're a station builder!
I once got stuck in a subway door in a stupid way.
It's best not to get stuck in a subway door,
but if you have ever been stuck in a subway door and if you can tell us how to get away from it in a cool way,
please let us know, Mr. Matsumoto, who is good at getting stuck in a subway door.
So you haven't been stuck in a subway door before, right?
I haven't been stuck in a subway door before.
But if I get stuck in a subway door, I can do this and that, can't I?
"Is there such a calculation?" "Yes."
So Mr. Matsumoto, please tell us about it, about getting stuck in a subway door.
"Getting stuck in a subway door." "Cool way of getting stuck in a subway door."
Oh, cool way of getting stuck in a subway door. Of course, there is such a thing.
"Please tell us." "How do you get stuck in a subway door?"
Well, if you get in like this... like this... like this...
Oh, like this?
This is the easiest way of getting stuck in a subway door, right?
You don't really get stuck like this, do you?
You also get stuck like this with your hands.
I know, I know.
Not like this, but like this.
I know, I know.
But you're standing like this.
When you stand up...
Like this.
You don't have to ring the bell!
Oh, is that so?
No, I think it's cool!
The one that's sandwiched like this.
It moves like this, doesn't it?
Right?
No, it's cool, but...
It's like this, the surroundings.
It's kind of like that.
Yeah.
If it's sandwiched even once, it opens, doesn't it?
Ah, yes, yes, yes...
If it's sandwiched once, it opens, doesn't it?
It opens wide, doesn't it?
It's kind of cool that it opens wide, doesn't it?
Right, right, right...
It opens wide, doesn't it?
Right, right, right...
And, you know...
It's like that.
It's like the feeling of not opening it.
What the hell?!
No, wait, wait, wait...
If you don't open it for me, I'll be honest and wait for you!
That's what's lame!
You know that?!
That's what's lame!
For example, it's the same with insects.
If you put it in an insect cage and open it wide...
There are people who run away!
It's kind of cool!
If you open it wide, it opens wide, doesn't it?
It's like a beetle that says "what?"
But you really want to run away, don't you?
I really want to run away.
So, when you say "gaah!", I say "gaah!", and then I...
I close it again...
I say "gaah!", "gaah!", "gaah!", and then I...
Why do you say that?!
I'm this energetic!
No, that's...
You don't have to show it there!
It's not good to show it there!
Is that so?
If you get stuck, you can open it again!
You can open it again...
At that time...
It's better not to be thought of as being stuck for the first time.
I'm this energetic!
Yes, yes, yes...
Do you understand?
Yes, yes, yes...
So...
When you get in, you get stuck again, right?
You get stuck, right?
So you open it again...
You turn right over to the other door...
And when you come back, you open it again!
What are you doing?
I have a question for Matsumoto-san, who is Komuro Tetsuya-san's assistant.
Please compose a school chant in Matsumoto-style.
In the world, there are lyrics to everything.
It's not about composing or lyrics.
Just because you don't say it out loud doesn't mean there are lyrics to everything.
There are.
Oh, really?
But it doesn't apply to school chants, does it?
It does, it does!
You know, like...
Oh, like "Nodojiman"?
Yes, "Nodojiman".
"Anna-tabu" is "Anna-tabu" is "sumo-in"!
It's really...
It's really lame!
It's lame even if you talk about youth!
What's wrong with school chants?
It depends on the school.
"Kin-kon-kan-kon", "Kin-kon-kan-kon", right?
Yes, yes.
Yes, there are.
Please teach me a new one.
Oh, you want me to teach you?
"Ki-mi-ta-chi"...
Why are you singing with such a soft touch?
It's not normal!
"Ki-mi-ta-chi"...
"I-ma-ko-so"...
What?!
What?! "I-ma-ko-so", what do you mean?!
Again "I-ma-ko-so"?!
"Kin-kon-kan-kon"... "Kim-kon-gan-gon", "Kim-kon- gan- gon", "Kim-kon-gan-gon" and that's it, right?
"Kim-kon-gan-gon"... "Kim"... "Kim"... "Kim"...
It'll be like this...
Really?
All right.
You people, it is now time for you to depart.
You're making me look bad.
Is there a Lupin song?
Lupin is a man.
Just like that.
Fujiko is a woman.
Like I said...
I'll explain it with my life.
There is a song like that.
Lupin is a man.
Fujiko is a woman.
Goemon is a man.
There is a song like that.